Drama Books

INTRODUCTION In the first decade of the eighteenth century, with comedy in train to be altered out of recognition to please the reformers and the ladies, one of the two talented writers who attempted to keep the comic muse alive in something like her "Restoration" form was Thomas Baker.[1] Of Baker's four plays which reached the stage, none has been reprinted since the eighteenth century... more...

SCENE I It is just after sunset of an August evening. The scene is aroom in a mountain hut, furnished only with a table, benches.and a low broad window seat. Through this window three rockypeaks are seen by the light of a moon which is slowly whiteningthe last hues of sunset. An oil lamp is burning. SEELCHEN, amountain girl, eighteen years old, is humming a folk-song, andputting away in a cupboard... more...

WAR BRIDES The war brides were cheered with enthusiasm and the churches were crowded when the wedding parties spoke the ceremony in concert.—PRESS CLIPPING. SCENE: A room in a peasant's cottage in a war-ridden country. A large fireplace at the right. Near it a high-backed settle. On the left a heavy oak table and benches. Woven mats on the floor. A door at left leads into a bedroom. In the... more...

ACT  IV SCENE  I.  London.  Before the Tower [Enter, on one side, QUEEN ELIZABETH, DUCHESS of YORK, and MARQUIS of DORSET; on the other, ANNE DUCHESS of GLOSTER, leading LADY MARGARET PLANTAGENET, CLARENCE's young daughter.]DUCHESSWho meets us here?—my niece Plantagenet,Led in the hand of her kind aunt of Gloster?Now, for my life, she's wandering to the Tower,On pure heart's love,... more...

ACT I [MADHAV'S House] MADHAV. What a state I am in! Before he came, nothing mattered; I felt so free. But now that he has come, goodness knows from where, my heart is filled with his dear self, and my home will be no home to me when he leaves. Doctor, do you think he— PHYSICIAN. If there's life in his fate, then he will live long.But what the medical scriptures say, it seems— MADHAV.... more...

THE RECKONING The scene is a barber shop. At the center is the chair, facing a mirror and washstand at the right. The tiled walls are sprinkled with the usual advertisements. At the rear, a door leads up to the street by a flight of two or three steps. A dock on the left wall indicates three. At the rise of curtain, THE BARBER, a man of fifty, is discovered sharpening a razor, and whistling softly to... more...

The twelfth of May, 1796, in north Italy, at Tavazzano, on the road from Lodi to Milan. The afternoon sun is blazing serenely over the plains of Lombardy, treating the Alps with respect and the anthills with indulgence, not incommoded by the basking of the swine and oxen in the villages nor hurt by its cool reception in the churches, but fiercely disdainful of two hordes of mischievous insects which... more...

SCENE I A room in the Ministry of War in the capital of Iberia. Evening. The minister of war, a tall, stern, bearded man with deep-set eyes and many furrows, is sitting at a large, mahogany desk-table, Left. The chief of staff, silent, motionless and watchful, stands beside him with his hands resting on the table-top. He is thin, old and emaciated, clean-shaven, firm-lipped, and looks startlingly like... more...

INTRODUCTORY NOTE Pierre Corneille was born in Rouen in 1606, the son of an official; was educated by the Jesuits, and practised unsuccessfully as a lawyer. His dramatic career began with the comedy of "Melite," but it was by his "Medee" that he first proved his tragic genius. "The Cid" appeared in 1636, and a series of masterpieces followed—"Horace," "Cinna,"... more...

THOMAS GODFREY, Jr. (1736-1763) Thomas Godfrey, Jr., was born in Philadelphia, on December 4, 1736, the son of a man who himself won fame as an inventor of the Quadrant. Godfrey, Senior, was a friend of Benjamin Franklin, the two probably having been drawn together by their common interest in science. When Godfrey, Senior, died, December, 1749, it was Franklin who wrote his obituary notice. Young... more...