Drama Books

ACT I At the most wretched hour between a black night and a wintry morning in the year 1777, Mrs. Dudgeon, of New Hampshire, is sitting up in the kitchen and general dwelling room of her farm house on the outskirts of the town of Websterbridge. She is not a prepossessing woman. No woman looks her best after sitting up all night; and Mrs. Dudgeon's face, even at its best, is grimly trenched by the... more...

ACT I. SCENE I.—SGANARELLE, ARISTE. SGAN. Pray, brother, let us talk less, and let each of us live as he likes. Though you have the advantage of me in years, and are old enough to be wise, yet I tell you that I mean to receive none of your reproofs; that my fancy is the only counsellor I shall follow, and that I am quite satisfied with my way of living. AR. But every one condemns it. SGAN. Yes, fools... more...

JOHN LEACOCK Among the elusive figures of early American Drama stands John Leacock, author of "The Fall of British Tyranny," published in 1776, in Philadelphia. Even more elusive is the identification, inasmuch as his name has been spelled variously Leacock, Lacock, and Laycock. To add to the confusion, Watson's "Annals of Philadelphia," on the reminiscent word of an old resident... more...

INTRODUCTION 'The Birds' differs markedly from all the other Comedies of Aristophanes which have come down to us in subject and general conception. It is just an extravaganza pure and simple—a graceful, whimsical theme chosen expressly for the sake of the opportunities it afforded of bright, amusing dialogue, pleasing lyrical interludes, and charming displays of brilliant stage effects and... more...

HOW TO BE A GOOD RADIO ACTOR The play in this book has actually been produced on the radio. Possibly you have listened to this one when you tuned in at home. The persons whose voices you heard as you listened, looked just as they did when they left their homes to go to the studio, although they were taking the parts of men and women who lived long ago and who wore costumes very different from the ones... more...

PROLOGUE The tableau curtains are closed. An English archdeacon comes through them in a condition of extreme irritation. He speaks through the curtains to someone behind them. THE ARCHDEACON. Once for all, Ermyntrude, I cannot afford to maintain you in your present extravagance. [He goes to a flight of steps leading to the stalls and sits down disconsolately on the top step. A fashionably dressed lady... more...

ACT I The time is morning, and the scene a level lawn, beyond whichthe river is running amongst fields. A huge old beech treeovershadows everything, in the darkness of whose hollow manythings are hidden. A rustic seat encircles it. A low wallclothed in creepers, with two openings, divides this lawn fromthe flowery approaches to the house. Close to the wall there isa swing. The sky is clear and sunny.... more...

ACT I The Act takes place in autumn in a large village. The Scene represents Peter's roomy hut. Peter is sitting on a wooden bench, mending a horse-collar. Anísya and Akoulína are spinning, and singing a part-song. PETER [looking out of the window] The horses have got loose again. If we don't look out they'll be killing the colt. Nikíta! Hey, Nikíta! Is the fellow... more...

THE TRAGICAL HISTORY OF DOCTOR FAUSTUS FROM THE QUARTO OF 1604. Enter CHORUS. CHORUS. Not marching now in fields of Thrasymene,Where Mars did mate the Carthaginians;Nor sporting in the dalliance of love,In courts of kings where state is overturn'd;Nor in the pomp of proud audacious deeds,Intends our Muse to vaunt her heavenly verse:Only this, gentlemen,—we must performThe form of Faustus'... more...

ACT I (SCENE.—A large room looking upon a garden door in the left-hand wall, and two in the right. In the middle of the room, a round table with chairs set about it, and books, magazines and newspapers upon it. In the foreground on the left, a window, by which is a small sofa with a work-table in front of it. At the back the room opens into a conservatory rather smaller than the room. From the... more...