Drama Books

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PLAY IN FOUR ACTS. ACT FIRST. (A rocky coast, running precipitously down to the sea at the back. To the left, a boat-house; to the right, rocks and pine-woods. The masts of two war-ships can be seen down in the cove. Far out to the right, the ocean, dotted with reefs and rocky islands; the sea is running high; it is a stormy snow-grey winter day.) (SIGURD comes up from the ships; he is clad in a white... more...

WASTE At Shapters, George Farrant's house in Hertfordshire. Ten o'clock on a Sunday evening in summer. Facing you at her piano by the window, from which she is protected by a little screen, sits Mrs. Farrant; a woman of the interesting age, clear-eyed and all her face serene, except for a little pucker of the brows which shows a puzzled mind upon some important matters. To become almost an... more...

ON THE IDEA OF COMEDY AND OF THE USES OF THE COMIC SPIRIT Good Comedies are such rare productions, that notwithstanding the wealth of our literature in the Comic element, it would not occupy us long to run over the English list.  If they are brought to the test I shall propose, very reputable Comedies will be found unworthy of their station, like the ladies of Arthur’s Court when they were reduced... more...

PREFACE The Author. 'It is surprising,' says Mr. Percy Fitzgerald, 'how much English Comedy owes to Irishmen.' Nearly fifty years ago Calcraft enumerated eighty-seven Irish dramatists in a by no means exhaustive list, including Congreve, Southerne, Steele, Kelly, Macklin, and Farquhar—the really Irish representative amongst the dramatists of the Restoration, the true prototype of... more...

On July 1, 1776, the Continental Congress of the American Colonies faced one of the most important crises this country has ever passed through. Upon what happened that night depended the fate of the resolution before Congress which declared that: "These United Colonies are, and of right ought to be, free and independent States, that they are absolved from all allegiance to the British Crown, and... more...

ACT I The scene is a darkened room, which the curtain reveals so stealthily that if there was a mouse on the stage it is there still. Our object is to catch our two chief characters unawares; they are Darkness and Light. The room is so obscure as to be invisible, but at the back of the obscurity are French windows, through which is seen Lob's garden bathed in moon-shine. The Darkness and Light,... more...

THE LAND OF HEART'S DESIRE SCENE.—A room with a hearth on the floor in the middle of a deep alcove to the Right. There are benches in the alcove and a table; and a crucifix on the wall. The alcove is full of a glow of light from the fire. There is an open door facing the audience to the Left, and to the left of this a bench. Through the door one can see the forest. It is night, but the moon or a... more...

ACT I. SCENE I. [1st Cut.] [2nd Grooves.] A Lane near a Village. Afternoon. Enter ARTHUR WALTON and WILLIAM, R.S.E. Arthur. Give me your arm, my feet tread heavily;The sameness of this scene doth pierce my heartWith thronging recollections of the past.There is nought chang'd—and what a world of care,Of sorrow, passion, pleasure have I known,Since but a natural part of this was I,Whose voice is... more...

by: Moliere
SCENE I.—JULIA, THE VISCOUNT. Visc. What! you are here already? Ju. Yes, and you ought to be ashamed of yourself, Cléante; it is not right for a lover to be the last to come to the rendezvous. Visc. I should have been here long ago if there were no importunate people in the world. I was stopped on my way by an old bore of rank, who asked me news of the court, merely to be able himself to detail to... more...

BRONSON HOWARD (1842-1908) The present Editor has just read through some of the vivacious correspondence of Bronson Howard—a sheaf of letters sent by him to Brander Matthews during a long intercourse. The time thus spent brings sharply to mind the salient qualities of the man—his nobility of character, his soundness of mind, his graciousness of manner, and his thorough understanding of the dramatic... more...