Drama Books

SCENE I.—JULIA, THE VISCOUNT. Visc. What! you are here already? Ju. Yes, and you ought to be ashamed of yourself, Cléante; it is not right for a lover to be the last to come to the rendezvous. Visc. I should have been here long ago if there were no importunate people in the world. I was stopped on my way by an old bore of rank, who asked me news of the court, merely to be able himself to detail to... more...

BRONSON HOWARD (1842-1908) The present Editor has just read through some of the vivacious correspondence of Bronson Howard—a sheaf of letters sent by him to Brander Matthews during a long intercourse. The time thus spent brings sharply to mind the salient qualities of the man—his nobility of character, his soundness of mind, his graciousness of manner, and his thorough understanding of the dramatic... more...

ACT I SCENE I The curtain rises on the BARTHWICK'S dining-room, large, modern, and well furnished; the window curtains drawn. Electric light is burning. On the large round dining-table is set out a tray with whisky, a syphon, and a silver cigarette-box. It is past midnight. A fumbling is heard outside the door. It is opened suddenly; JACK BARTHWICK seems to fall into the room. He stands holding by... more...

ACT I SCENE.—The scene is in the Great Hall in the Palace of the Caesars. At the back are steps leading to a platform with balustrade opening on the air, and beyond, a view of the city. [On the right of the stage is a cedarn couch on which CLAUDIUS is uneasily sleeping. On the right is a door communicating with the inner apartments. On the left a door communicating with the outer halls. [XENOPHON is... more...

INTRODUCTION TO SARDANAPALUS Byron's passion or infatuation for the regular drama lasted a little over a year. Marino Faliero, Sardanapalus, and the Two Foscari, were the fruits of his "self-denying ordinance to dramatize, like the Greeks ... striking passages of history" (letter to Murray, July 14, 1821, Letters, 1901, v. 323). The mood was destined to pass, but for a while the neophyte... more...

THE FIRST ACT One of the city gates of Pekin. Over the gate, planted on iron poles, a row of severed heads with shaven crowns and Turkish tufts. TIME: Shortly after sunrise. When the curtain rises the gate is closed. From within the roll of drums and military commands. BRIGELLA. (Behind the scenes.) Halt! Present arms! TRUFFALDINO. (Behind the scenes.) Halt! Slope swords! Open the gate! At ease! Quick... more...

MORDECAI MANUEL NOAH (1785-1851) Mr. Noah was born in Philadelphia, July 19, 1785, the son of Portuguese Jewish descent, it being stated by some sources that his father not only fought in the Revolutionary Army, but was a sufficient friend of George Washington to have the latter attend his wedding. In his early years, he was apprenticed, according to the custom of the day, to a carver and gilder, but... more...

JOHN BULL. ACT THE FIRST. SCENE I. A Public House on a Heath: over the Door the Sign of the Red Cow;——and the Name of "Dennis Brulgruddery." Enter Dennis Brulgruddery and Dan, from the House. Dan opening the outward Shutters of the House. Dennis. A pretty blustratious night we have had! and the sun peeps through the fog this morning, like the copper pot in my kitchen.—Devil a traveller do... more...

PROLOGUE. Scene.—A Russian Inn. Large door opening on snowy landscape at back of stage. Peter Sabouroff and Michael. Peter (warming his hands at a stove). Has Vera not come back yet, Michael? Mich. No, Father Peter, not yet; 'tis a good three miles to the post office, and she has to milk the cows besides, and that dun one is a rare plaguey creature for a wench to handle. Peter. Why didn't... more...

ACT I PEASANT [ploughing. Looks up] It's noon. Time to unharness. Gee up, get along! Fagged out? Poor old beast! One more turn and back again, that will be the last furrow, and then dinner. It was a good idea to bring that chunk of bread with me. I'll not go home, but sit down by the well and have a bite and a rest, and Peggy can graze awhile. Then, with God's help, to work again, and... more...