Drama Books

INTRODUCTION During his extraordinarily long career as an actor, Charles Macklin wrote several plays. The earliest is King Henry VII; or, The Popish Imposter, a tragedy based on the Perkin Warbeck story, performed at Drury Lane 18 January 1745/6 and published the same year. As the Preface states, it "was design'd as a Kind of Mirror to the present Rebellion"; and it provided the author... more...

I Erhabener Geist, im Geisterreich verloren! Wo immer Deine lichte Wohnung sey,Zum höh'ren Schaffen bist Du neugeboren,Und singest dort die voll're Litanei.Von jenem Streben das Du auserkoren,Vom reinsten Aether, drin Du athmest frei,O neige Dich zu gnädigem ErwiedernDes letzten Wiederhalls von Deinen Liedern! II Den alten Musen die bestäubten KronenNahmst Du, zu neuem Glanz, mit kühner... more...

Act I. A Representation at the Hotel de Bourgogne. The hall of the Hotel de Bourgogne, in 1640. A sort of tennis-court arranged and decorated for a theatrical performance. The hall is oblong and seen obliquely, so that one of its sides forms the back of the right foreground, and meeting the left background makes an angle with the stage, which is partly visible. On both sides of the stage are benches.... more...

SCENE I SCENE—The firemen's forecastle of a transatlantic liner an hour after sailing from New York for the voyage across. Tiers of narrow, steel bunks, three deep, on all sides. An entrance in rear. Benches on the floor before the bunks. The room is crowded with men, shouting, cursing, laughing, singing—a confused, inchoate uproar swelling into a sort of unity, a meaning—the bewildered,... more...

ACT I [Roadside with big stones, etc., on the right; low loose wall at back with gap near centre; at left, ruined doorway of church with bushes beside it. Martin Doul and Mary Doul grope in on left and pass over to stones on right, where they sit.] MARY DOUL. What place are we now, Martin Doul? MARTIN DOUL. Passing the gap. MARY DOUL — [raising her head.] — The length of that! Well, the sun's... more...

Act I. Scene I.—Salem Village. Living-room in Giles Corey's house. Olive Corey is spinning. Nancy Fox, the old servant, sits in the fireplace paring apples. Little Phœbe Morse, on a stool beside her, is knitting a stocking. Phœbe (starting). What is that? Oh, Olive, what is that? Nancy. Yes, what is that? Massy, what a clatter! Olive (spinning). I heard naught. Be not so foolish, child. And... more...

ACT I Great George Street, Westminster, is the address of Doyle and Broadbent, civil engineers. On the threshold one reads that the firm consists of Mr Lawrence Doyle and Mr Thomas Broadbent, and that their rooms are on the first floor. Most of their rooms are private; for the partners, being bachelors and bosom friends, live there; and the door marked Private, next the clerks' office, is their... more...

Sieur du Pleßis Marly. T seemes to mee strange, and a thing much to be marueiled, that the laborer to repose himselfe hasteneth as it were the course of the Sunne: that the Mariner rowes with all force to attayne the porte, and with a ioyfull crye salutes the descryed land: that the traueiler is neuer quiet nor content till he be at the ende of his voyage: and that wee in the meane while tied in this... more...

INTRODUCTION The City Bride, by Joseph Harris, is of special interest as the only adaptation from the canon of John Webster to have come upon the stage in the Restoration. Nahum Tate’s Injur’d Love: or, The Cruel Husband is an adaptation of The White Devil, but it was never acted and was not printed until 1707. The City Bride is taken from A Cure for a Cuckold, in which William Rowley and perhaps... more...

Scene: A plantation of thin young trees, in a misty and rainy twilight; some woodland blossom showing the patches on the earth between the stems. The Stranger is discovered, a cloaked figure with a pointed hood. His costume might belong to modern or any other time, and the conical hood is so drawn over the head that little can be seen of the face. A distant voice, a woman's, is heard,... more...