Drama Books

ACT I SCENE I The scene is a well-lighted, and large, oak-panelled hall, withan air of being lived in, and a broad, oak staircase. Thedining-room, drawing-room, billiard-room, all open into it; andunder the staircase a door leads to the servants' quarters. Ina huge fireplace a log fire is burning. There are tiger-skinson the floor, horns on the walls; and a writing-table againstthe wall opposite... more...

PREFACE Like many other works of mine, this playlet is a piece d'occasion. In 1905 it happened that Mr Arnold Daly, who was then playing the part of Napoleon in The Man of Destiny in New York, found that whilst the play was too long to take a secondary place in the evening's performance, it was too short to suffice by itself. I therefore took advantage of four days continuous rain during a... more...

ACT I A large old-fashioned room in Matthew Beeler's farm-house, near a small town in the Middle West. The room is used for dining and for general living purposes. It suggests, in architecture and furnishings, a past of considerable prosperity, which has now given place to more humble living. The house is, in fact, the ancestral home of Mr. Beeler's wife, Mary, born Beardsley, a family of the... more...

ACT I. [A tropical garden in Kapilavatthu, in the background mountains, at a distance the snow-capped peaks of the Himalayas. On the right near the front a marble bench surrounded with bushes. Further back the palace entrance of the Raja's residence. Above the entrance a balcony. On the left a fortified gate with a guard house; all built luxuriously in antique Indian style.] Present: Suddhodana,... more...

INTRODUCTION. Two of the dramas contained in this volume are the most celebrated of all Calderon's writings. The first, "La Vida es Sueno", has been translated into many languages and performed with success on almost every stage in Europe but that of England. So late as the winter of 1866-7, in a Russian version, it drew crowded houses to the great theatre of Moscow; while a few years... more...

PREFACE A preface to a play seems generally to be considered as a kind of closet-prologue, in which—if his piece has been successful—the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in representation (whose judgment in the theatre at least is decisive,) its degree of... more...

SCENE I.—The Library Enter SURFACE and SERVANT SURFACE. Mr. Stanley! and why should you think I would see him?— you must know he came to ask something! SERVANT. Sir—I shouldn't have let him in but that Mr. Rowley came to the Door with him. SURFACE. Pshaw!—Blockhead to suppose that I should now be in a Temper to receive visits from poor Relations!—well why don't you show the Fellow... more...

Actus PrimusScena Prima Enter Gaspero, and Melitus MelitusSir, you're the very friend I wish'd to meet with,I have a large discourse invites your earTo be an Auditor. GasperoAnd what concerns it? MelitusThe sadly thriving progress of the lovesBetween my Lord, the Prince, and that great Lady,Whose insolence, and never-yet-match'd Pride,Can by no Character be well exprest,But in her only... more...

ACT I. SCENE I. Mr. ANDREWS's house. Enter MARIA and THOMAS. MARIA. But why these moping, melancholy looks?Each eye observes and marks them now unseemly,Whilst every countenance but your's speaks joy,At the near wedding of our master's daughter.Sure none so well deserv'd this noble prize:And young lord Weston will be bless'd indeed. THOMAS. It has been countermanded. MARIA.... more...

From Munich, on June 29, 1890, Ibsen wrote to the Swedish poet, Count Carl Soilsky: "Our intention has all along been to spend the summer in the Tyrol again. But circumstances are against our doing so. I am at present engaged upon a new dramatic work, which for several reasons has made very slow progress, and I do not leave Munich until I can take with me the completed first draft. There is little... more...