Drama Books

ACT I SCENE I The curtain rises on the BARTHWICK'S dining-room, large,modern, and well furnished; the window curtains drawn.Electric light is burning. On the large round dining-table isset out a tray with whisky, a syphon, and a silvercigarette-box. It is past midnight. A fumbling is heard outside the door. It is opened suddenly;JACK BARTHWICK seems to fall into the room. He stands holdingby the... more...

Where Heartbreak House Stands Heartbreak House is not merely the name of the play which follows this preface. It is cultured, leisured Europe before the war. When the play was begun not a shot had been fired; and only the professional diplomatists and the very few amateurs whose hobby is foreign policy even knew that the guns were loaded. A Russian playwright, Tchekov, had produced four fascinating... more...

Exception has been taken to the title of this seeming tomfoolery on the ground that the Catherine it represents is not Great Catherine, but the Catherine whose gallantries provide some of the lightest pages of modern history. Great Catherine, it is said, was the Catherine whose diplomacy, whose campaigns and conquests, whose plans of Liberal reform, whose correspondence with Grimm and Voltaire enabled... more...

ACT I. (SCENE.--A spacious garden-room in the BERNICKS' house. In the foreground on the left is a door leading to BERNICK'S business room; farther back in the same wall, a similar door. In the middle of the opposite wall is a large entrance-door, which leads to the street. The wall in the background is almost wholly composed of plate-glass; a door in it opens upon a broad flight of steps... more...

SCENE I. A spacious hall, supported on columns, with entrances on both sides;at the back of the stage a large folding-door leading to a chapel. DONNA ISABELLA in mourning; the ELDERS OF MESSINA. ISABELLA.Forth from my silent chamber's deep recesses,Gray Fathers of the State, unwillinglyI come; and, shrinking from your gaze, upliftThe veil that shades my widowed brows: the lightAnd glory of my days... more...

ACT I (SCENE.—A handsomely furnished, carpeted room, with a door at the back leading to a lobby. The FATHER is sitting on a couch on the left-hand side, in the foreground, reading a newspaper. Other papers are lying on a small table in front of him. AXEL is on another couch drawn up in a similar position on the right-hand side. A newspaper, which he is not reading, is lying on his knee. The MOTHER is... more...

RADA SCENE—_A guest-chamber, the typical living-room of a prosperous village doctor in the Balkans. On the left, a small window and an entrance door. On the right, a door leading into a bedroom. At the back, an open fire of logs is burning brightly. Over the fireplace is the eikonostasis, with three richly coloured and gilded eikons, the central one of the Madonna. The light, which is never allowed... more...

ACT I A country house on a terrace. In front of it a garden. In an avenue of trees, under an old poplar, stands a table set for tea, with a samovar, etc. Some benches and chairs stand near the table. On one of them is lying a guitar. A hammock is swung near the table. It is three o'clock in the afternoon of a cloudy day. MARINA, a quiet, grey-haired, little old woman, is sitting at the table... more...

PEOPLE IN THE PLAY ALICE GARDNER: Daughter of James K. Gardner, President of the L.I. & W. Railroad "UNCLE" JOSEPH HATCH: Alias "Gentleman Joe" "BRICK" MEAKIN: Alias "Reddy, the Kid" HARRY HAYES: Alias "Grand Stand" Harry CAPTAIN LUCAS: Chief of Police Policemen, Brakemen, Engineers Scene—The dining room in the country house of James K. Gardner on Long... more...

The greatest difficulty to be met in the writing of an Indian play is the extensive misinformation about Indians. Any real aboriginal of my acquaintance resembles his prototype in the public mind about as much as he does the high-nosed, wooden sign of a tobacco store, the fact being that, among the fifty-eight linguistic groups of American aboriginals, customs, traits, and beliefs differ as greatly as... more...