Drama Books

The Drone A COMEDY IN THREE ACTS ACT I. Scene: The farm kitchen of John Murray. It is large and spacious, with a wide open fire-place to the right. At the back is one door leading to the parlour and other rooms in the house, also a large window overlooking the yard outside. To the left of this window is the door leading into the yard, and near the door an old-fashioned grandfather's clock.... more...

INTRODUCTORY NOTE Gotthold Ephraim Lessing was born at Kamenz, Germany, January 22, 1729, the son of a Lutheran minister. He was educated at Meissen and Leipzic, and began writing for the stage before he was twenty. In 1748 he went to Berlin, where he met Voltaire and for a time was powerfully influenced by him. The most important product of this period was his tragedy of "Miss Sara Samson," a... more...

THE CHARACTERS GODS:MADANA (Eros).VASANTA (Lycoris). MORTALS:CHITRA, daughter of the King of Manipur.ARJUNA, a prince of the house of the Kurus. He is of theKshatriya or "warrior caste," and during the action is living asa Hermit retired in the forest. VILLAGERS from an outlying district of Manipur. NOTE.—The dramatic poem "Chitra" has been performed in Indiawithout scenery—the... more...

Act I Scene 1 [An old park with avenues of trees leading away in all directions. Directly in background of stage there is a sheet of water fringed by willow and poplar trees. On the right and left is a high box hedge formed in curves with the top clipped in grotesque shapes mostly of birds. A statue is placed in the centre of each hedge, and beneath the statues are seats. When the curtain rises several... more...

CLYDE FITCH (1865-1909) Clyde Fitch brought a vivacity to the American stage that no other American playwright has thus far succeeded in emulating. The total impression of his work leads one to believe that he also brought to the American stage a style which was at the same time literary and distinctly his own. His personality was interesting and lovable, quickly responsive to a variety of human... more...

THE GAY LORD QUEX THE FIRST ACT The scene represents a manicure establishment in New Bond Street. It is a front room upon the first floor, with three french-windows affording a view of certain buildings on the east side of the street. On the left, furthest from the spectator, is a wide, arched opening, apparently leading to another apartment, in which is the door giving entrance to the rooms from the... more...

Introduction[1] The Electra of Euripides has the distinction of being, perhaps, the best abused, and, one might add, not the best understood, of ancient tragedies. "A singular monument of poetical, or rather unpoetical perversity;" "the very worst of all his pieces;" are, for instance, the phrases applied to it by Schlegel. Considering that he judged it by the standards of conventional... more...

INTRODUCTION About a century has elapsed since the great English Orientalist, Sir William Jones, astonished the learned world by the discovery of a Sanskrit Dramatic Literature. He has himself given us the history of this discovery. It appears that, on his arrival in Bengal, he was very solicitous to procure access to certain books called Nátaks, of which he had read in one of the 'Lettres... more...

PROLOGUE The tableau curtains are closed. An English archdeacon comes through them in a condition of extreme irritation. He speaks through the curtains to someone behind them. THE ARCHDEACON. Once for all, Ermyntrude, I cannot afford to maintain you in your present extravagance. [He goes to a flight of steps leading to the stalls and sits down disconsolately on the top step. A fashionably dressed lady... more...

ACT  V SCENE  I.   The Forest of Arden [Enter TOUCHSTONE and AUDREY.]TOUCHSTONEWe shall find a time, Audrey; patience, gentle Audrey. AUDREYFaith, the priest was good enough, for all the old gentleman's saying. TOUCHSTONEA most wicked Sir Oliver, Audrey, a most vile Martext. But, Audrey, there is a youth here in the forest lays claim to you. AUDREYAy, I know who 'tis: he hath no interest... more...