Drama Books

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INTRODUCTION It must have been on Synge's second visit to the Aran Islands that he had the experience out of which was wrought what many believe to be his greatest play. The scene of "Riders to the Sea" is laid in a cottage on Inishmaan, the middle and most interesting island of the Aran group. While Synge was on Inishmaan, the story came to him of a man whose body had been washed up on... more...

Actus primus. Scena prima. Enter Uncle and Merchant. Merc. When saw you Valentine? Uncle. Not since the Horse-race, he's taken up with those that woo the Widow. Mer. How can he live by snatches from such people? he bore a worthy mind. Uncle. Alas, he's sunk, his means are gone, he wants, and which is worse,Takes a delight in doing so. Mer. That's strange. Unc. Runs Lunatick, if you but... more...

by: Euripides
Introduction[1] The Electra of Euripides has the distinction of being, perhaps, the best abused, and, one might add, not the best understood, of ancient tragedies. "A singular monument of poetical, or rather unpoetical perversity;" "the very worst of all his pieces;" are, for instance, the phrases applied to it by Schlegel. Considering that he judged it by the standards of conventional... more...

For one may apprehend the whole truth to be somewhat thus.  Satiric comedy, or comedy of manners, is the art of making ludicrous in dramatic form some phase of life.  The writers of our old comedy thought that certain vices—gambling, adultery, and the like—formed a phase of life which for divers reasons, essential and accidental, lent itself best to their purpose.  They may, or may not, have... more...

ACT I. SCENE: [Country public-house or shebeen, very rough and untidy. There is a sort of counter on the right with shelves, holding many bottles and jugs, just seen above it. Empty barrels stand near the counter. At back, a little to left of counter, there is a door into the open air, then, more to the left, there is a settle with shelves above it, with more jugs, and a table beneath a window. At the... more...

DRAMATIS PERSONÆ. Duke of Milan, Father to Silvia.Valentine,the two Gentlemen.Proteus,Antonio, Father to Proteus. Thurio, a foolish rival to Valentine. Eglamour, Agent for Silvia in her escape. Host, where Julia lodges. Outlaws, with Valentine. Speed, a clownish Servant to Valentine. Launce, the like to Proteus. Panthino, Servant to Antonio.   Julia, beloved of Proteus. Silvia, beloved of Valentine.... more...

INTRODUCTION The greatest of English dramatists except Shakespeare, the first literary dictator and poet-laureate, a writer of verse, prose, satire, and criticism who most potently of all the men of his time affected the subsequent course of English letters: such was Ben Jonson, and as such his strong personality assumes an interest to us almost unparalleled, at least in his age. Ben Jonson came of the... more...

SCENE I. A common apartment in the Castle of Fotheringay. HANNAH KENNEDY, contending violently with PAULET, who is aboutto break open a closet; DRURY with an iron crown. KENNEDY.How now, sir? what fresh outrage have we here?Back from that cabinet! PAULET.Whence came the jewel?I know 'twas from an upper chamber thrown;And you would bribe the gardener with your trinkets.A curse on woman's... more...

FIRST ACT SCENE Morning-room in Algernon’s flat in Half-Moon Street.  The room is luxuriously and artistically furnished.  The sound of a piano is heard in the adjoining room. [Lane is arranging afternoon tea on the table, and after the music has ceased, Algernon enters.] Algernon.  Did you hear what I was playing, Lane? Lane.  I didn’t think it polite to listen, sir. Algernon.  I’m sorry... more...

by: Aeschylus
PREFACE The sense of difficulty, and indeed of awe, with which a scholar approaches the task of translating the Agamemnon depends directly on its greatness as poetry. It is in part a matter of diction. The language of Aeschylus is an extraordinary thing, the syntax stiff and simple, the vocabulary obscure, unexpected, and steeped in splendour. Its peculiarities cannot be disregarded, or the translation... more...