Drama Books

PARSIFAL. PART I THE COMING OF PARSIFAL Within a noble stretch of mountain woods,Primeval forest, deep and dark and grand,There rose a glorious castle towering high,—And at its foot a smiling, shimmering lakeLay in the still lap of a verdant glade.'T was daybreak, and the arrows of the dawnWere shot in golden glory through the trees,And from the castle came a trumpet blastTo waken life in all... more...

SCENE I.—The Library Enter SURFACE and SERVANT SURFACE. Mr. Stanley! and why should you think I would see him?— you must know he came to ask something! SERVANT. Sir—I shouldn't have let him in but that Mr. Rowley came to the Door with him. SURFACE. Pshaw!—Blockhead to suppose that I should now be in a Temper to receive visits from poor Relations!—well why don't you show the Fellow... more...

ACT I. SCENE I. Mr. ANDREWS's house. Enter MARIA and THOMAS. MARIA. But why these moping, melancholy looks?Each eye observes and marks them now unseemly,Whilst every countenance but your's speaks joy,At the near wedding of our master's daughter.Sure none so well deserv'd this noble prize:And young lord Weston will be bless'd indeed. THOMAS. It has been countermanded. MARIA.... more...

ACT I SCENE: The stage is divided by an old wall, covered with vines and flowers. At the right, a corner of BERGAMIN's private park; at the left, a corner of PASQUINOT's. On each side of the wall, and against it, is a rustic bench. As the curtain rises, PERCINET is seated on the top of the wall. On his knee is a book, out of which he is reading to SYLVETTE, who stands attentively listening on... more...

From Munich, on June 29, 1890, Ibsen wrote to the Swedish poet, Count Carl Soilsky: "Our intention has all along been to spend the summer in the Tyrol again. But circumstances are against our doing so. I am at present engaged upon a new dramatic work, which for several reasons has made very slow progress, and I do not leave Munich until I can take with me the completed first draft. There is little... more...

WILLIAM DUNLAP: (1766-1839) The life of William Dunlap is full of colour and variety. Upon his shoulders very largely rests the responsibility for whatever knowledge we have of the atmosphere of the early theatre in America, and of the personalities of the players. For, as a boy, his father being a Loyalist, there is no doubt that young William used to frequent the play-house of the Red Coats, and we... more...

CAST CAPTAIN NATHAN HALECAPTAIN WILLIAM HULLGENERAL WASHINGTONBOS'NLIEUTENANT PONDSIMON CARTERLIEUTENANT DREW [BRITISH]MRS. CHICHESTERCAPTAIN MONTRESSORPROVOST MARSHAL CUNNINGHAM We present here the story of the famous Revolutionary hero and martyr, Nathan Hale. For the first scene of our sketch, let us go to General Washington's headquarters in New York City. It is early September of the... more...

HALL-MARKED The scene is the sitting-room and verandah of HER bungalow. The room is pleasant, and along the back, where the verandahruns, it seems all window, both French and casement. There is adoor right and a door left. The day is bright; the timemorning. [HERSELF, dripping wet, comes running along the verandah,through the French window, with a wet Scotch terrier in herarms. She vanishes through the... more...

THE BIG DRUM   THE FIRST ACT The scene is a room, elegantly decorated, in a flat in South Audley Street. On the right, two windows give a view, through muslin curtains, of the opposite houses. In the wall facing the spectator are two doors, one on the right, the other on the left. The left-hand door opens into the room from a dimly-lighted corridor, the door on the right from the dining-room. Between... more...

THERE ARE CRIMES AND CRIMES INTRODUCTION Strindberg was fifty years old when he wrote "There Are Crimes and Crimes." In the same year, 1899, he produced three of his finest historical dramas: "The Saga of the Folkungs," "Gustavus Vasa," and "Eric XIV." Just before, he had finished "Advent," which he described as "A Mystery," and which was published... more...