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ACT I. [Enter William the Conqueror; Marques Lubeck, with a picture;Mountney; Manville; Valingford; and Duke Dirot.] MARQUES.What means fair Britain's mighty ConquerorSo suddenly to cast away his staff,And all in passion to forsake the tylt? D. DIROT.My Lord, this triumph we solemnise hereIs of mere love to your increasing joys,Only expecting cheerful looks for all;What sudden pangs than moves...
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CAST Jim Weston A young man and the town bully (A Methodist) Dave Carter The town's best hunter and fisherman (Baptist) Joe Clarke The Mayor, Postmaster, storekeeper Daisy Blunt The town vamp Lum Boger The Marshall Walter Thomas A villager (Methodist) Lige Moseley A villager (Methodist) Joe Lindsay A villager (Baptist) Della Lewis A villager (Baptist) Tod Hambo A villager (Baptist) Lucy Taylor A...
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George Colman
JOHN BULL. ACT THE FIRST. SCENE I. A Public House on a Heath: over the Door the Sign of the Red Cow;——and the Name of "Dennis Brulgruddery." Enter Dennis Brulgruddery and Dan, from the House. Dan opening the outward Shutters of the House. Dennis. A pretty blustratious night we have had! and the sun peeps through the fog this morning, like the copper pot in my kitchen.—Devil a traveller do...
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Stephen Phillips
ACT I SCENE.—The scene is in the Great Hall in the Palace of the Caesars. At the back are steps leading to a platform with balustrade opening on the air, and beyond, a view of the city. [On the right of the stage is a cedarn couch on which CLAUDIUS is uneasily sleeping. On the right is a door communicating with the inner apartments. On the left a door communicating with the outer halls. [XENOPHON is...
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ACT I. SCENE I. [1st Cut.] [2nd Grooves.] A Lane near a Village. Afternoon. Enter ARTHUR WALTON and WILLIAM, R.S.E. Arthur. Give me your arm, my feet tread heavily;The sameness of this scene doth pierce my heartWith thronging recollections of the past.There is nought chang'd—and what a world of care,Of sorrow, passion, pleasure have I known,Since but a natural part of this was I,Whose voice is...
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On July 1, 1776, the Continental Congress of the American Colonies faced one of the most important crises this country has ever passed through. Upon what happened that night depended the fate of the resolution before Congress which declared that: "These United Colonies are, and of right ought to be, free and independent States, that they are absolved from all allegiance to the British Crown, and...
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George Meredith
ON THE IDEA OF COMEDY AND OF THE USES OF THE COMIC SPIRIT Good Comedies are such rare productions, that notwithstanding the wealth of our literature in the Comic element, it would not occupy us long to run over the English list. If they are brought to the test I shall propose, very reputable Comedies will be found unworthy of their station, like the ladies of Arthur’s Court when they were reduced...
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Francis Beaumont
Actus primus. Scena prima. Enter Uncle and Merchant. Merc. When saw you Valentine? Uncle. Not since the Horse-race, he's taken up with those that woo the Widow. Mer. How can he live by snatches from such people? he bore a worthy mind. Uncle. Alas, he's sunk, his means are gone, he wants, and which is worse,Takes a delight in doing so. Mer. That's strange. Unc. Runs Lunatick, if you but...
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Clyde Fitch
CLYDE FITCH (1865-1909) Clyde Fitch brought a vivacity to the American stage that no other American playwright has thus far succeeded in emulating. The total impression of his work leads one to believe that he also brought to the American stage a style which was at the same time literary and distinctly his own. His personality was interesting and lovable, quickly responsive to a variety of human...
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THE GAY LORD QUEX THE FIRST ACT The scene represents a manicure establishment in New Bond Street. It is a front room upon the first floor, with three french-windows affording a view of certain buildings on the east side of the street. On the left, furthest from the spectator, is a wide, arched opening, apparently leading to another apartment, in which is the door giving entrance to the rooms from the...
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