Drama Books
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John Galsworthy
ACT I HILLCRIST'S study. A pleasant room, with books in calfbindings, and signs that the HILLCRIST'S have travelled, suchas a large photograph of the Taj Mahal, of Table Mountain, andthe Pyramids of Egypt. A large bureau [stage Right], devotedto the business of a country estate. Two foxes' masks.Flowers in bowls. Deep armchairs. A large French window open[at Back], with a lovely view of...
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Mrs. Edward Roberts: "Now, my dear, Amy and I will get there early, so as to make up for your coming a little late, but you must be there for the last half, at least. I would excuse you altogether if I could, for I know you must be dead tired, up all night, that way, on the train, but Mrs. Miller is one of those people who never can listen to reason, and she would take deadly offence if you missed...
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Edward Arber
INTRODUCTION. HE author and early date of the present Comedy are ascertained by a quotation in Sir Thomas Wilson’s Rule of Reason of Roister Doister’s letter to Dame Custance. The first edition of the Rule of Reason, 1550-1, is a very scarce work; of which I have been unable to see a copy. The second edition, 1552, 8vo, ‘newely corrected by Thomas Wilson,’ has not the quotation: which...
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Bayard Veiller
ACT I The SCENE is the Italian Room in ROSCOE CROSBY'S Home in New York. It is a handsome room. A plan of the setting will be found at the end of the play. As the curtain rises Miss HELEN O'NEILL and WILLIAM CROSBY are discovered standing R.C. They are in each other's arms, and the rising curtain discloses them as they kiss. The window blinds are drawn. HELEN. I love you so. WILLIAM. You...
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Robert Dodsley
SUMMER'S LAST WILL AND TESTAMENT.[16] Enter WILL SUMMER,[17] in his fool's coat but half on, coming out. Noctem peccatis et fraudibus objice nubem.[18] There is no such fine time to play the knave in as the night. I am a goose or a ghost, at least; for what with turmoil of getting my fool's apparel, and care of being perfect, I am sure I have not yet supp'd to-night. Will...
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INTRODUCTION. I. ‘The compositions published in Mrs. Shelley’s lifetime afford but an inadequate conception of the intense sensibility and mental vigour of this extraordinary woman.’ Thus wrote Dr. Garnett, in 1862 (Preface to his Relics of Shelley). The words of praise may have sounded unexpectedly warm at that date. Perhaps the present volume will make the reader more willing to subscribe, or...
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BOOK I PHŒBE BARRASFORD Krindlesyke is a remote shepherd’s cottage on the Northumbrian fells, at least three miles from any other habitation. It consists of two rooms, a but and a ben. Ezra Barrasford, an old herd, blind and decrepit, sits in an armchair in the but, or living-room, near the open door, on a mild afternoon in April. Eliza Barrasford, his wife, is busy, making griddle-cakes over the...
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William Archer
INTRODUCTION. Little Eyolf was written in Christiania during 1894, and published in Copenhagen on December 11 in that year. By this time Ibsen's correspondence has become so scanty as to afford us no clue to what may be called the biographical antecedents of the play. Even of anecdotic history very little attaches to it. For only one of the characters has a definite model been suggested. Ibsen...
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Eugene Walter
EUGENE WALTER (Born, Cleveland, Ohio, November 27, 1874) When questioned once regarding "The Easiest Way," Mr. Eugene Walter said, "Incidentally, I do not think much of it. To my mind a good play must have a tremendous uplift in thought and purpose. 'The Easiest Way' has none of this. There is not a character in the play really worth while, with the exception of the old agent. The...
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Arnold Bennett
ACT I SCENE I Front room on ground floor at 126 Redcliffe Gardens. An apartment furnished richly but in an old-fashioned way. Fine pictures. Large furniture. Sofa near centre. General air of neglect and dustiness. Carpet half-laid. Trunks and bags lying about in corners, some opened. Men's wearing apparel exposed. Mantelpiece, R., in disorder. At back double doors (ajar) leading to another room....
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