Drama Books
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ACT I. Scene I. Witch bends over fire in middle of orchard, brewing a charm in her caldron. Ogre stalks in, grinning frightfully, swinging his bludgeon in triumph. Ogre Ha, old witch, it is done at last! I have broken the King's stronghold! I have stolen away his children twain From the clutch of their guardsmen bold. I have dragged them here to my castle tower. Prince Hero is strong and fair. But...
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Anonymous
INTRODUCTION By craftsmen and mean men, these pageants are played,And to commons and countrymen accustomably before:If better men and finer heads now come, what can be said? The pageants of the old English town-guilds, and the other mysteries and interludes that follow, have still an uncommon reality about them if we take them in the spirit in which they were originally acted. Their office as the...
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INTRODUCTION The City Bride, by Joseph Harris, is of special interest as the only adaptation from the canon of John Webster to have come upon the stage in the Restoration. Nahum Tate’s Injur’d Love: or, The Cruel Husband is an adaptation of The White Devil, but it was never acted and was not printed until 1707. The City Bride is taken from A Cure for a Cuckold, in which William Rowley and perhaps...
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SCENE— A shabby front room in a shotgun house. A door covered by dingy portieres upstage C. Small panel window in side Wall L. Plain centre table with chairs drawn up about it. Gaudy calendars on wall. Battered piano against wall R. Kerosene lamp with reflector against wall on either side of room. At rise of curtain NUNKIE is at piano playing…. Others at table with small stacks of chips before each...
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JAMES NELSON BARKER (1784-1858) In a letter written to William Dunlap, from Philadelphia, on June 10, 1832, James Nelson Barker very naïvely and very fully outlined his career, inasmuch as he had been informed by Manager Wood that Mr. Dunlap wished such an account for his "History of the American Stage." From this account, we learn that whatever dramatic ability Mr. Barker possessed came from...
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Edward Young
ACT THE FIRST. SCENE I.BATTLEMENTS, WITH A SEA PROSPECT. Enter Zanga. Zan.Whether first nature, or long want of peace,Has wrought my mind to this, I cannot tell;But horrors now are not displeasing to me:[thunder.I like this rocking of the battlements.Rage on, ye winds; burst, clouds; and, waters, roar!You bear a just resemblance of my fortune,And suit the gloomy habit of my soul.Enter...
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Gunnar Ollen
INTRODUCTION Strindberg's great trilogy The Road to Damascus presents many mysteries to the uninitiated. Its peculiar changes of mood, its gallery of half unreal characters, its bizarre episodes combine to make it a bewilderingly rich but rather 'difficult' work. It cannot be recommended to the lover of light drama or the seeker of momentary distraction. The Road to Damascus does not...
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Jack London
ARGUMENT In the morning of the world, while his tribemakes its camp for the night in a grove, RedCloud, the first man of men, and the first manof the Nishinam, save in war, sings of the dutyof life, which duty is to make life more abundant.The Shaman, or medicine man, sings offoreboding and prophecy. The War Chief, whocommands in war, sings that war is the onlyway to life. This Red Cloud denies,...
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John Galsworthy
ACT I SCENE I The curtain rises on the BARTHWICK'S dining-room, large,modern, and well furnished; the window curtains drawn.Electric light is burning. On the large round dining-table isset out a tray with whisky, a syphon, and a silvercigarette-box. It is past midnight. A fumbling is heard outside the door. It is opened suddenly;JACK BARTHWICK seems to fall into the room. He stands holdingby the...
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John Galsworthy
ACT I The scene is the managing clerk's room, at the offices of Jamesand Walter How, on a July morning. The room is old fashioned,furnished with well-worn mahogany and leather, and lined withtin boxes and estate plans. It has three doors. Two of themare close together in the centre of a wall. One of these twodoors leads to the outer office, which is only divided from themanaging clerk's room...
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