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MERRY WIVES OF WINDSOR. Besides the copies of the Merry Wives of Windsor appearing in the folios and modern editions, a quarto, Q, has been collated in these Notes, of which the following is the title: The | Merry Wives | of Windsor. | with the humours of Sir John Falstaffe, | as also, The swaggering Vaine of Ancient | Pistoll, and Corporall Nym. |written by William Shake-speare. | Newly corrected. |...
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Booth Tarkington
THE FIRST ACT SCENE: The terrace of the Hotel Regina Margherita, on the cliff at Sorrento, overlooking the Bay of Naples. There is a view of the bay and its semi-circular coast-line, dotted with villages; Vesuvius gray in the distance. Across the stage at the rear runs a marble balustrade about three feet high, guarding the edge of the cliff. Upon the left is seen part of one wing of the hotel,...
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CAST CAPTAIN NATHAN HALECAPTAIN WILLIAM HULLGENERAL WASHINGTONBOS'NLIEUTENANT PONDSIMON CARTERLIEUTENANT DREW [BRITISH]MRS. CHICHESTERCAPTAIN MONTRESSORPROVOST MARSHAL CUNNINGHAM We present here the story of the famous Revolutionary hero and martyr, Nathan Hale. For the first scene of our sketch, let us go to General Washington's headquarters in New York City. It is early September of the...
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Bernard Shaw
PROLOGUE Overture; forest sounds, roaring of lions, Christian hymn faintly. A jungle path. A lion's roar, a melancholy suffering roar, comes from the jungle. It is repeated nearer. The lion limps from the jungle on three legs, holding up his right forepaw, in which a huge thorn sticks. He sits down and contemplates it. He licks it. He shakes it. He tries to extract it by scraping it along the...
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Booth Tarkington
ACT I ANDREW GIBSON'S _office in his piano factory where he manufactures "The Gibson Upright." A very plain interior; pleasant to the eye, yet distinctly an office in a factory, and without luxuries; altogether utilitarian. Against the wall on our right is a roll-top desk, open, very neat, and in the centre of the writing pad a fresh rose stands in a glass of water. Near by is a long,...
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William Archer
From Munich, on June 29, 1890, Ibsen wrote to the Swedish poet, Count Carl Soilsky: "Our intention has all along been to spend the summer in the Tyrol again. But circumstances are against our doing so. I am at present engaged upon a new dramatic work, which for several reasons has made very slow progress, and I do not leave Munich until I can take with me the completed first draft. There is little...
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Alexander Dyce
THE TRAGICAL HISTORY OF DOCTOR FAUSTUS FROM THE QUARTO OF 1616. Enter CHORUS. CHORUS. Not marching in the fields of Thrasymene,Where Mars did mate the warlike Carthagens;Nor sporting in the dalliance of love,In courts of kings where state is overturn'd;Nor in the pomp of proud audacious deeds,Intends our Muse to vaunt her heavenly verse:Only this, gentles,—we must now performThe form of...
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Paul Dickey
THE CAST Princess Maria Theresa of Aragon. Warren Jarvis, of Kentucky. Nita, the Princess' Maid. House Detective, Manhattan Hotel. Rusty Snow, Warren Jarvis' Colored Servant. Detectives, from Police Headquarters. Hotel Porter. Steward, on S.S. Aquitania. Carlos, Duke d'Alva. Dolores, the Innkeeper's Daughter. Vardos, Messenger to the Missing Prince. Don Robledo, a Soldier of...
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Bernard Shaw
ACT I A fine October morning in the north east suburbs of London, a vast district many miles away from the London of Mayfair and St. James's, much less known there than the Paris of the Rue de Rivoli and the Champs Elysees, and much less narrow, squalid, fetid and airless in its slums; strong in comfortable, prosperous middle class life; wide-streeted, myriad-populated; well-served with ugly iron...
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Richard Wagner
TRISTAN AND ISOLDA. ACT I. [A pavilion erected on the deck of a ship, richly hung with tapestry, quite closed in at back at first. A narrow hatchway at one side leads below into the cabin.] SCENE I. ISOLDA on a couch, her face buried in the cushions.— BRANGÆNA holding open a curtain, looks over the side of the vessel. THE VOICE OF A YOUNG SAILOR (from above as if at the mast-head). ISOLDA...
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