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INTRODUCTION. I. ‘The compositions published in Mrs. Shelley’s lifetime afford but an inadequate conception of the intense sensibility and mental vigour of this extraordinary woman.’ Thus wrote Dr. Garnett, in 1862 (Preface to his Relics of Shelley). The words of praise may have sounded unexpectedly warm at that date. Perhaps the present volume will make the reader more willing to subscribe, or...
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Robert Dodsley
SUMMER'S LAST WILL AND TESTAMENT.[16] Enter WILL SUMMER,[17] in his fool's coat but half on, coming out. Noctem peccatis et fraudibus objice nubem.[18] There is no such fine time to play the knave in as the night. I am a goose or a ghost, at least; for what with turmoil of getting my fool's apparel, and care of being perfect, I am sure I have not yet supp'd to-night. Will...
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Bayard Veiller
ACT I The SCENE is the Italian Room in ROSCOE CROSBY'S Home in New York. It is a handsome room. A plan of the setting will be found at the end of the play. As the curtain rises Miss HELEN O'NEILL and WILLIAM CROSBY are discovered standing R.C. They are in each other's arms, and the rising curtain discloses them as they kiss. The window blinds are drawn. HELEN. I love you so. WILLIAM. You...
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Edward Arber
INTRODUCTION. HE author and early date of the present Comedy are ascertained by a quotation in Sir Thomas Wilson’s Rule of Reason of Roister Doister’s letter to Dame Custance. The first edition of the Rule of Reason, 1550-1, is a very scarce work; of which I have been unable to see a copy. The second edition, 1552, 8vo, ‘newely corrected by Thomas Wilson,’ has not the quotation: which...
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Mrs. Edward Roberts: "Now, my dear, Amy and I will get there early, so as to make up for your coming a little late, but you must be there for the last half, at least. I would excuse you altogether if I could, for I know you must be dead tired, up all night, that way, on the train, but Mrs. Miller is one of those people who never can listen to reason, and she would take deadly offence if you missed...
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John Galsworthy
ACT I HILLCRIST'S study. A pleasant room, with books in calfbindings, and signs that the HILLCRIST'S have travelled, suchas a large photograph of the Taj Mahal, of Table Mountain, andthe Pyramids of Egypt. A large bureau [stage Right], devotedto the business of a country estate. Two foxes' masks.Flowers in bowls. Deep armchairs. A large French window open[at Back], with a lovely view of...
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REMARKS. There seems to be required by a number of well meaning persons of the present day a degree of moral perfection in a play, which few literary works attain; and in which sermons, and other holy productions, are at times deficient, though written with the purest intention. To criticise any book, besides the present drama, was certainly not a premeditated design in writing this little essay; but...
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Pierre Corneille
Act the First. Scene I.—Chimène and Elvira. Chimène. Elvira, have you given me a really true report? Do you conceal nothing that my father has said? Elvira. All my feelings within me are still delighted with it. He esteems Rodrigo as much as you love him; and if I do not misread his mind, he will command you to respond to his passion. Chimène. Tell me then, I beseech you, a second time, what makes...
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THE BIG DRUM THE FIRST ACT The scene is a room, elegantly decorated, in a flat in South Audley Street. On the right, two windows give a view, through muslin curtains, of the opposite houses. In the wall facing the spectator are two doors, one on the right, the other on the left. The left-hand door opens into the room from a dimly-lighted corridor, the door on the right from the dining-room. Between...
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William Congreve
TO THERIGHT HONOURABLE CHARLES MONTAGUE,ONE OF THE LORDS OF THE TREASURY. Sir,—I heartily wish this play were as perfect as I intended it, that it might be more worthy your acceptance, and that my dedication of it to you might be more becoming that honour and esteem which I, with everybody who is so fortunate as to know you, have for you. It had your countenance when yet unknown; and now it is made...
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