Drama Books

ACT I It is noon. In the Underwoods' dining-room a bright fire isburning. On one side of the fireplace are double-doors leadingto the drawing-room, on the other side a door leading to thehall. In the centre of the room a long dining-table without acloth is set out as a Board table. At the head of it, in theChairman's seat, sits JOHN ANTHONY, an old man, big,clean-shaven, and high-coloured,... more...

INTRODUCTION ANTON TCHEKOFF THE last years of the nineteenth century were for Russia tinged with doubt and gloom. The high-tide of vitality that had risen during the Turkish war ebbed in the early eighties, leaving behind it a dead level of apathy which lasted until life was again quickened by the high interests of the Revolution. During these grey years the lonely country and stagnant provincial towns... more...

ACT I SCENE I (So-called 'Little Hall' in BRAND'S manor-house at Reynistad. Enter the DEACON SIGURD, THOROLF BJARNASON, ALF OF GROF, and EINAR THE RICH, of Vik.) Deacon Sigurd.—Thorolf, Lady Jorun bade you wait here until her husband comes. Thorolf.—Where is Brand Kolbeinsson? I bear a message for him from my Lord Kolbein the Young. Sigurd.—Why comes he not himself? Alf.—Kolbein... more...

SAKUNTALA or THE LOST RING. In ancient days, there was a mighty king of the Lunar dynasty by name Dushyanta. He was the king of Hastinapur. He once goes out a-hunting and in the pursuit of a deer comes near the hermitage of the sage Kanwa, the chief of the hermits, where some anchorites request him not to kill the deer. The king feels thirsty and was seeking water when he saw certain maidens of the... more...

ACT ISCENE I Madame Pernelle and her servant Flipote, Elmire, Mariane, Dorine, Damis, Cleante Mme. Pernelle.  Let's go, Flipote, let's go. I hate this place. Elmire.  I can't keep up, you rush at such a pace. Mme. Pernelle.  Peace, my dear, peace; come no farther.I don't wish to cause you any bother. Elmire.  What duty demands, I insist on giving.But, mother, what has caused... more...

ACT I SCENE I   MADAME PERNELLE and FLIPOTTE, her servant; ELMIRE, MARIANE, CLEANTE,  DAMIS, DORINE   MADAME PERNELLE  Come, come, Flipotte, and let me get away.   ELMIRE  You hurry so, I hardly can attend you.   MADAME PERNELLE  Then don't, my daughter-in law. Stay where you are.  I can dispense with your polite attentions.   ELMIRE  We're only paying what is due you,... more...

SCENE FIRST.—THE FOREST NEAR THE PROPHET'S TOWN ON THE TIPPECANOE. Enter the PROPHET. PROPHET. Twelve moons have wasted, and no tidings still! Tecumseh must have perished! Joy has tearsAs well as grief, and mine will freely flow—Sembling our women's piteous privilege—Whilst dry ambition ambles to its ends.My schemes have swelled to greatness, and my nameHas flown so far upon the wings... more...

THE FIRST ACT The scene is a drawing-room, prettily but somewhat showily decorated. The walls are papered with a design representing large clusters of white and purple lilac. The furniture is covered with a chintz of similar pattern, and the curtains, carpet, and lamp-shades correspond. In the wall facing the spectator are two windows, and midway between the windows there is the entrance to a... more...

INTRODUCTION This is the first of the series of three Comedies—'The Acharnians,' 'Peace' and 'Lysistrata'—produced at intervals of years, the sixth, tenth and twenty-first of the Peloponnesian War, and impressing on the Athenian people the miseries and disasters due to it and to the scoundrels who by their selfish and reckless policy had provoked it, the consequent... more...

ARGUMENT In the morning of the world, while his tribemakes its camp for the night in a grove, RedCloud, the first man of men, and the first manof the Nishinam, save in war, sings of the dutyof life, which duty is to make life more abundant.The Shaman, or medicine man, sings offoreboding and prophecy. The War Chief, whocommands in war, sings that war is the onlyway to life. This Red Cloud denies,... more...