Poetry Books

INTRODUCTION. Early in the present century John Harris—one of the successors to the business of "Honest John Newbery," now carried on by Messrs Griffith & Farran at the old corner of St. Paul's Churchyard—began the publication of a series of little books, which for many years were probably among the most famous of the productions of the House. Now, however, according to the fate... more...

THE KING OF THE CASTLE. A S the lion is called the king of beasts, so the eagle is called the king of birds; but except that it is bigger, stronger, and swifter than other birds, there does not seem much reason for the name. It is a mistake to attribute noble or mean qualities to animals or birds, or to think they can do good or bad actions, when they can only do what God has created them to do, and as... more...

CANTO XVIII THERE is a place within the depths of hellCall'd Malebolge, all of rock dark-stain'dWith hue ferruginous, e'en as the steepThat round it circling winds.  Right in the midstOf that abominable region, yawnsA spacious gulf profound, whereof the frameDue time shall tell.  The circle, that remains,Throughout its round, between the gulf and baseOf the high craggy banks,... more...

'Twas on a frosty Christmas Eve When Peggy Deutchland woke From her wooden sleep On the counter steep And to her neighbour spoke, "Get up! get up, dear Sarah Jane! Now strikes the midnight hour, When dolls and toys Taste human joys, And revel in their power.     I long to try my limbs a bit, And you must walk with me; Our joints are good Though made of wood, And I pine for liberty. For... more...

TEASE I WILL give you all my keys,  You shall be my châtelaine,You shall enter as you please,  As you please shall go again. When I hear you jingling through  All the chambers of my soul,How I sit and laugh at you  In your vain housekeeping rôle. Jealous of the smallest cover,  Angry at the simplest door;Well, you anxious, inquisitive lover,  Are you pleased with what's in store? You... more...

Hannibal. Could a Numidian horseman ride no faster? Marcellus! oh! Marcellus! He moves not—he is dead. Did he not stir his fingers? Stand wide, soldiers—wide, forty paces; give him air; bring water; halt! Gather those broad leaves, and all the rest, growing under the brushwood; unbrace his armour. Loose the helmet first—his breast rises. I fancied his eyes were fixed on me—they have rolled back... more...

OUR generation already is overpast,And thy lov'd legacy, Gerard, hath lainCoy in my home; as once thy heart was fainOf shelter, when God's terror held thee fastIn life's wild wood at Beauty and Sorrow aghast;Thy sainted sense tramme'd in ghostly pain,Thy rare ill-broker'd talent in disdain:Yet love of Christ will win man's love at last.  Hell wars without; but, dear, the... more...

INTRODUCTION I. THE AGE WHICH PRODUCED THE FAERIE QUEENE The study of the Faerie Queene should be preceded by a review of the great age in which it was written. An intimate relation exists between the history of the English nation and the works of English authors. This close connection between purely external events and literary masterpieces is especially marked in a study of the Elizabethan Age. To... more...

THE THREE BEARS. THERE were once three bears, who lived in a wood,Their porridge was thick, and their chairs and beds good.The biggest bear, Bruin, was surly and rough;His wife, Mrs. Bruin, was called Mammy Muff.Their son, Tiny-cub, was like Dame Goose’s lad;He was not very good, nor yet very bad.Now Bruin, the biggest—the surly old bear—Had a great granite bowl, and a cast-iron chair.Mammy Muffs... more...

I Strings in the earth and airMake music sweet;Strings by the river whereThe willows meet. There's music along the riverFor Love wanders there,Pale flowers on his mantle,Dark leaves on his hair. All softly playing,With head to the music bent,And fingers strayingUpon an instrument. The twilight turns from amethystTo deep and deeper blue,The lamp fills with a pale green glowThe trees of the avenue.... more...