Games/Humor Books

GOOD-BYE TO THE AUXILIARY PATROL. II.—THE SHIP'S COMPANY. Demobilisation in the Navy, whatever it may be in the Army, is a simple affair. You are first sent for by the Master-at-Arms, who glares, thrusts papers into your trembling hand and ejects you violently in the direction of the Demobilising Office. Here they regard you curiously, stifle a yawn, languidly inspect your papers and send you to... more...

VENICE RESERVED. (A Sketch from a Numbered Stall at Olympia.) On the Stage, the Scene represents "A Public Place before the Arsenal," where a number of artisans are apparently busily engaged in making horse-shoes on cold anvils in preparation for the launch of "The Adriatica." On extreme R. enter Antonio, who expresses commercial embarrassment by going through a sort of dumb-bell... more...

PRATT'S TOURS OF THE FRONT. THE LAST WORD IN SENSATION. By special arrangement Pratt's are able to offer their patrons unique opportunities of witnessing the stirring events of the Great Struggle. Don't miss it; you may never see another War. Come and see Tommy at work and play. Come and be shelled—a genuine thrill! Same as during London's Air-raids, but less danger. At the... more...

THE GAME OF THE LITTLE HORSES. (A Sketch at the Casino, Dinard.) On either side of the circular Race-course, with its revolving metal horses, is a Green Table, divided into numbered squares, around which the Players, who are mostly English, are sitting or standing. A Croupier with his rake presides at each table. In an obscure corner of the balcony outside, Miss DAINTREE and her Married Sister have... more...

"Great Scot!" [Extorted, by circumstances beyond his control, from a stolid but unsuccessful Saxon Shootist at Bisley and Wimbledon, after the match at the latter place between picked twenties of the London Scottish and the London Rifle Brigade, won easily by the former team.] Oh! the Scot lot are all cracks at a shot, And extremely successful at Hunting the Pot. This particular "Saxon"... more...

WRESTLING WITH WHISTLERS. (A Reminiscence of a Recent Exhibition.) SCENE—The Goupil Gallery. Groups of more or less puzzled Britons discovered, conscientiously endeavouring to do justice to the Collection, having realised that Mr. WHISTLER's work is now considered entitled to serious consideration, but feeling themselves unable to get beyond a timid tolerance. In addition to these, there are... more...

MAY 3, 1890. No. X.—TOMMY AND HIS SISTER JANE.Once more we draw upon our favourite source of inspiration—the poems of the Misses Taylor. The dramatist is serenely confident that the new London County Council Censor of Plays, whenever that much-desired official is appointed, will highly approve of this little piece on account of the multiplicity of its morals. It is intended to teach, amongst other... more...

AUGUST 6, 1887. Dear Mr. Punch, Now that your own particular theatrical adviser and follower, Mr. Nibbs, has left London for a trip abroad, I venture to address you on matters dramatic. I am the more desirous of so doing because, although the Season is nearly over, two very important additions have been made to the London playhouse programme—two additions that have hitherto escaped your eagle glance.... more...

THE MYSTERY OF MR. E. DROOD. AN ADAPTATION. BY ORPHEUS C. KERR. CHAPTER XII—(Continued.) The pauper burial-ground toward which they now progress in a rather high-stepping manner, or—to vary the phrase—toward which their steps are now very much bent, is not a favorite resort of the more cheerful village people after nightfall. Ask any resident of Bumsteadville if... more...

IMPRESSIONS OF "IL TROVATORE." (By a Matter-of-Fact Philistine at Covent Garden.) ACT I. SCENE 2.—Leonora's confidant evidently alive to the responsibilities of her position. Watch her, for example, when her Mistress is about to confide to her ear the dawn of her passion for Manrico. She walks Leonora gently down to the footlights, launches her into her solo, like a boat, and stands... more...