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Showing: 51-60 results of 180

INTRODUCTION. I. The death of John Dryden, on the first of May, 1700, closed a period of no small significance in the history of English literature. His faults were many, both as a man and as a poet, but he belongs to the race of the giants, and the impress of greatness is stamped upon his works. No student of Dryden can fail to mark the force and sweep of an intellect impatient of restraint. His 'long-resounding march' reminds us of a... more...

I THE ADWERT ACADEMY The importance of biography for the study of history can hardly be overrated. In a sense it is true that history should be like the law and 'care not about very small things'; concerning itself not so much with individual personality as with fundamental causes affecting the rise and fall of nations or the development of mental outlook from one age to another. But even if this be conceded, we still must not forget that the... more...

INTRODUCTORY The Shakespearean Sonnets are not a single or connected work like an ordinary play or poem. Their composition apparently extended over a considerable time, which may be fairly estimated as not less than four years. Read literally they seem to portray thoughts, modes or experiences fairly assignable to such a period. Though variable and sometimes light and airy in their movement, the greater portion appear to reveal deep and intense... more...

The following Tales are meant to be submitted to the young reader as an introduction to the study of Shakespeare, for which purpose his words are used whenever it seemed possible to bring them in; and in whatever has been added to give them the regular form of a connected story, diligent are has been taken to select such words as might least interrupt the effect of the beautiful English tongue in which he wrote: therefore, words introduced into... more...

There was a certain island in the sea, the only inhabitants of which were an old man, whose name was Prospero, and his daughter Miranda, a very beautiful young lady. She came to this island so young, that she had no memory of having seen any other human face than her father's. They lived in a cave or cell, made out of a rock; it was divided into several apartments, one of which Prospero called his study; there he kept his books, which chiefly... more...


I have already spoken of my earliest meetings with Lowell at Cambridge when I came to New England on a literary pilgrimage from the West in 1860. I saw him more and more after I went to live in Cambridge in 1866; and I now wish to record what I knew of him during the years that passed between this date and that of his death. If the portrait I shall try to paint does not seem a faithful likeness to others who knew him, I shall only claim that so... more...

CHARACTERISTICS OF VICTORIAN LITERATURE That which in England is conveniently described as the Victorian Age of literature has a character of its own, at once brilliant, diverse, and complex. It is an age peculiarly difficult to label in a phrase; but its copious and versatile gifts will make it memorable in the history of modern civilisation. The Victorian Age, it is true, has no Shakespeare or Milton, no Bacon or Hume, no Fielding or... more...

PREFACE. THE primary object of this book is to furnish our children with material for becoming acquainted with the development of American life and history as found in Southern writers and their works. It may serve as a reader supplementary to American history and literature, or it may be made the ground-work for serious study of Southern life and letters; and between these extremes there are varying degrees of usefulness. To state its origin... more...

INTRODUCTION The identity of the "Anonymous" of Some Remarks on Hamlet Prince of Denmark has never been established. The tradition that Hanmer wrote the essay had its highly dubious origin in a single unsupported statement by Sir Henry Bunbury, made over one hundred years after the work was written, in his Correspondence of Sir Thomas Hanmer, with a Memoir of His Life (London, 1838), to the effect that he had reason to believe that Hanmer was... more...

PREFACE: ON FLUCTUATIONS OF TASTE When Voltaire sat down to write a book on Epic Poetry, he dedicated his first chapter to "Differences of Taste in Nations." A critic of to-day might well find it necessary, on the threshold of a general inquiry, to expatiate on "Differences of Taste in Generations." Changes of standard in the arts are always taking place, but it is only with advancing years, perhaps, that we begin to be embarrassed by the... more...