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Showing: 51-60 results of 180

LIFE OF SHAKESPEARE. Shakespeare, by general suffrage, is the greatest name in literature. There can be no extravagance in saying, that to all who speak the English language his genius has made the world better worth living in, and life a nobler and diviner thing. And even among those who do not "speak the tongue that Shakespeare spake," large numbers are studying the English language mainly for the purpose of being at home with him. How he... more...

SHAKESPEARE AND PRECIOUS STONES So wide is the range of the immortal verse of Shakespeare, and so many and various are the subjects he touched upon and adorned with the magic beauty of his poetic imagery, that it will be of great interest to refer to the allusions to gems and precious stones in his plays and poems. These allusions are all given in the latter part of this volume. What can we learn from them of Shakespeare's knowledge of the... more...

I INTRODUCTION There is a tale of Mr Kipling which relates how Eustace Cleever, a celebrated novelist, came to the rooms of a young subaltern and his companions who were giving an account of themselves. Eustace Cleever was a literary man, and was greatly impressed when he learned that one of the company, who was under twenty-five and was called the Infant, had killed people somewhere in Burma. He was suddenly caught by an immense enthusiasm for... more...

INTRODUCTION In came the cardinal, grave and coldly wise,His scarlet gown and robes of cobweb laceTrailed on the marble floor; with convex glassHe bent o'er Guido's shoulder.Walter Thornbury. STILL unrivalled, after the lapse of four centuries the villas of the great cardinals of the Renaissance retain their supremacy over their Italian sisters, not, as once, by reason of their prodigal magnificence but in the appealing charm of their... more...

Chapter IIntroductory By definition the renaissance was primarily a literary and scholarly movement derived from the literature of classical antiquity. Thus the historical, philosophical, pedagogical, and dramatic literatures of the renaissance cannot be accurately understood except in the light of the Greek and Roman authors whose writings inspired them. To this general rule the literary criticism of the renaissance is no exception. The... more...


RAFTERY I. One winter afternoon as I sat by the fire in a ward of Gort Workhouse, I listened to two old women arguing about the merits of two rival poets they had seen and heard in their childhood. One old woman, who was from Kilchreest, said: 'Raftery hadn't a stim of sight; and he travelled the whole nation; and he was the best poet that ever was, and the best fiddler. It was always at my father's house, opposite the big tree, that he used... more...

THE DEGRADATION OF BEAUTY Some time ago I found myself at an exhibition of Post-Impressionist pictures, under the ægis of an artist who was himself of that persuasion. Indeed, he was one of the exhibitors, and I was constrained to express my opinions in the form of questions. We passed before a picture which to my untutored eyes was formless, meaningless and ugly. It was by a well-known artist, and my instructor admired it. He said it... more...

The beginnings of Literature in England. Two poets of the best period of our old poetry, Caedmon and Cynewulf. The language they wrote in. The monastery at Whitby. The story of Caedmon's gift of song. How many of us I wonder, realise in anything like its full extent the beauty and the glory of our Catholic heritage. Do we think how the Great Mother, the keeper of truth, the guardian of beauty, the muse of learning, the fosterer of progress, has... more...

ON THE VICE OF NOVEL READING. Ever since the Novel reached the stage of development where it was demonstrated to be the most ingenious vehicle yet designed for conveying the protean thought and fancy of man, there has stood in the judgment book of Public Opinion the decree that novel-reading was a vice. Of course, that judgment did not apply exclusively to the reading of novels. It was a sort of supplementary decree in which the name of this new... more...

INTRODUCTION Lucretia Borgia is the most unfortunate woman in modern history. Is this because she was guilty of the most hideous crimes, or is it simply because she has been unjustly condemned by the world to bear its curse? The question has never been answered. Mankind is ever ready to discover the personification of human virtues and human vices in certain typical characters found in history and fable. The Borgias will never cease to... more...