Language Arts & Disciplines
Language Arts & Disciplines Books
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Flora Ross Amos
PREFACE In the following pages I have attempted to trace certain developments in the theory of translation as it has been formulated by English writers. I have confined myself, of necessity, to such opinions as have been put into words, and avoided making use of deductions from practice other than a few obvious and generally accepted conclusions. The procedure involves, of course, the omission of some...
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CHINA AND THE CHINESE THE CHINESE LANGUAGE If the Chinese people were to file one by one past a given point, the interesting procession would never come to an end. Before the last man of those living to-day had gone by, another and a new generation would have grown up, and so on for ever and ever. The importance, as a factor in the sum of human affairs, of this vast nation,—of its language, of its...
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by:
Edmund Luce
The aim of the present book is to help boys to translate at sight. Of the many books of unseen translation in general use few exhibit continuity of plan as regards the subject-matter, or give any help beyond a short heading. The average boy, unequal to the task before him, is forced to draw largely upon his own invention, and the master, in correcting written unseens, has seldom leisure to do more than...
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LECTURE I. INAUGURAL Wednesday, January 29, 1913 In all the long quarrel set between philosophy and poetry I know of nothing finer, as of nothing more pathetically hopeless, than Plato's return upon himself in his last dialogue 'The Laws.' There are who find that dialogue (left unrevised) insufferably dull, as no doubt it is without form and garrulous. But I think they will read it with...
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A. A-, prefix (1), adding intensity to the notion of the verb.—AS. á for ar-, ar-, Goth. us-. For the quantity of the á see Sievers, 121. Cf. . A-, prefix (2), standing for A, prep., and for Icel. á; see . A-, prefix (3), standing for Of, prep.; see . A-, prefix (4), standing for AS. and-, against, in return, toward.—AS. and-, ond-, on- (proclitic). Cf. A-, prefix (5), standing for At, prep.,...
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PREFACE. The English language is peculiarly rich in synonyms, as, with such a history, it could not fail to be. From the time of Julius Cæsar, Britons, Romans, Northmen, Saxons, Danes, and Normans fighting, fortifying, and settling upon the soil of England, with Scotch and Irish contending for mastery or existence across the mountain border and the Channel, and all fenced in together by the sea, could...
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I.—THE PROCESS BY COMBINATION. Two or more words may be united to form a new one, or to perform the office of a new one, and four methods or stages of combination may be noted. a. By juxtaposition, where the two words are placed together and yet remain as distinct words. This method is illustrated in Chinese, where the words in the combination when taken alone seldom give a clew to their meaning when...
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INTRODUCTION TREATISE ON THE SUBLIME Boileau, in his introduction to his version of the ancient Treatise on the Sublime, says that he is making no valueless present to his age. Not valueless, to a generation which talks much about style and method in literature, should be this new rendering of the noble fragment, long attributed to Longinus, the Greek tutor and political adviser of Zenobia. There is,...
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by:
Henry Bradley
ON THE PRONUNCIATION OF ENGLISH WORDS DERIVED FROM LATIN [This paper may perhaps need a few words of introduction concerning the history of the pronunciation of Latin in England. The Latin taught by Pope Gregory's missionaries to their English converts at the beginning of the seventh century was a living language. Its pronunciation, in the mouths of educated people when they spoke carefully, was...
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INTRODUCTION. The argument brought against the ‘Roman pronunciation’ of Latin is twofold: the impossibility of perfect theoretical knowledge, and the difficulty of practical attainment. If to know the main features of the classic pronunciation of Latin were impossible, then our obvious course would be to refuse the attempt; to regard the language as in reality dead, and to make no pretence of...
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