INTRODUCTION
It is all very well for Lamartine to explain, in his original prologue, that the touching, fascinating and pathetic story of Raphael was the experience of another man. It is well known that these feeling pages are but transcripts of an episode of his own heart-history. That the tale is one of almost feminine sentimentality is due, in some measure, perhaps, to the fact that, during his earliest and most impressionable years,...
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