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ACT I. Scene: Within the tent of Menones, on the plain before Nineveh. Left, centre, entrance to tent from the plain. Curtains rear, forming partition with exits right and left of centre. The same at right, with one exit, centre. Couch rear, between exits. From a tent-pole near exit, right centre, hang helmet and a suit of chain armor. Sola parts curtains rear, left, and looks out, showing effort to...
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PREFACE Believing plays to be solely for the stage, I have never before allowed any of mine to be printed until they had first faced from a stage the judgment of an audience, to see if they were entitled to be called plays at all. A successful production also has been sometimes a moral support to me when some critic has said, as for instance of "A Night at an Inn," that though it reads passably...
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COLUMBINE: Pierrot, a macaroon! I cannot live without a macaroon! PIERROT: My only love, You are so intense! . . . Is it Tuesday, Columbine?— I'll kiss you if it's Tuesday. COLUMBINE: It is Wednesday, If you must know . . . . Is this my artichoke, Or yours? PIERROT: Ah, Columbine,—as if it mattered! Wednesday . . . . Will it be Tuesday, then, to-morrow, By any chance? COLUMBINE: To-morrow...
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INTRODUCTION I Lady Wilde once told me that when she was a young girl she was stopped in some Dublin street by a great crowd and turned into a shop to escape from it. She stayed there some time and the crowd still passed. She asked the shopman what it was, and he said, 'the funeral of Thomas Davis, a poet.' She had never heard of Davis; but because she thought a country that so honoured a...
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by:
Theodore Martin
SCENE I. A high, rocky shore of the lake of Lucerne opposite Schwytz.The lake makes a bend into the land; a hut stands at a shortdistance from the shore; the fisher boy is rowing about in hisboat. Beyond the lake are seen the green meadows, the hamlets,and arms of Schwytz, lying in the clear sunshine. On the leftare observed the peaks of the Hacken, surrounded with clouds; tothe right, and in the...
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ACT I. Scene I. Witch bends over fire in middle of orchard, brewing a charm in her caldron. Ogre stalks in, grinning frightfully, swinging his bludgeon in triumph. Ogre Ha, old witch, it is done at last! I have broken the King's stronghold! I have stolen away his children twain From the clutch of their guardsmen bold. I have dragged them here to my castle tower. Prince Hero is strong and fair. But...
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by:
William Archer
ACT FIRST. [A spacious garden-room, with one door to the left, and two doors to the right. In the middle of the room a round table, with chairs about it. On the table lie books, periodicals, and newspapers. In the foreground to the left a window, and by it a small sofa, with a worktable in front of it. In the background, the room is continued into a somewhat narrower conservatory, the walls of which...
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by:
Moliere
PROLOGUE. The front of the stage represents a rustic spot, while at the back the sea can be seen in the distance. SCENE I. Flora. appears in the centre of the stage, attended by Vertumnus, god of trees and fruit, and by Palemon, god of the streams. Each of these gods conducts a troup of divinities; one leads in his train Dryads and Sylvans, and the other River Gods and Naiads. Flora sings the...
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FAUST. Night. In a narrow high-arched Gothic room, FAUST sitting uneasy at his desk. Faust. Have now, alas! quite studied throughPhilosophy and Medicine,And Law, and ah! Theology, too,With hot desire the truth to win!And here, at last, I stand, poor fool!As wise as when I entered school;Am called Magister, Doctor, indeed,—Ten livelong years cease not to leadBackward and forward, to and...
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WAR BRIDES The war brides were cheered with enthusiasm and the churches were crowded when the wedding parties spoke the ceremony in concert.—PRESS CLIPPING. SCENE: A room in a peasant's cottage in a war-ridden country. A large fireplace at the right. Near it a high-backed settle. On the left a heavy oak table and benches. Woven mats on the floor. A door at left leads into a bedroom. In the...
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