Drama
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Edward Young
ACT THE FIRST. SCENE I.BATTLEMENTS, WITH A SEA PROSPECT. Enter Zanga. Zan.Whether first nature, or long want of peace,Has wrought my mind to this, I cannot tell;But horrors now are not displeasing to me:[thunder.I like this rocking of the battlements.Rage on, ye winds; burst, clouds; and, waters, roar!You bear a just resemblance of my fortune,And suit the gloomy habit of my soul.Enter...
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ACT ONE SCENE: A Room in the Church Tower. Window shutters at back wide open, starlit sky is seen through windows. Background: Snow covered house-roofs; gable windows in the distance brilliantly illuminated. In room an old chair, a fire-pan and a picture of the Virgin, with a lighted candle before it. Room is divided by posts—two in centre thick enough to conceal an adult. Chant, in unison, from the...
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by:
Booth Tarkington
THE FIRST ACT SCENE: The terrace of the Hotel Regina Margherita, on the cliff at Sorrento, overlooking the Bay of Naples. There is a view of the bay and its semi-circular coast-line, dotted with villages; Vesuvius gray in the distance. Across the stage at the rear runs a marble balustrade about three feet high, guarding the edge of the cliff. Upon the left is seen part of one wing of the hotel,...
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by:
Oliver Huckel
PARSIFAL. PART I THE COMING OF PARSIFAL Within a noble stretch of mountain woods,Primeval forest, deep and dark and grand,There rose a glorious castle towering high,—And at its foot a smiling, shimmering lakeLay in the still lap of a verdant glade.'T was daybreak, and the arrows of the dawnWere shot in golden glory through the trees,And from the castle came a trumpet blastTo waken life in all...
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by:
Percival Wilde
THE RECKONING The scene is a barber shop. At the center is the chair, facing a mirror and washstand at the right. The tiled walls are sprinkled with the usual advertisements. At the rear, a door leads up to the street by a flight of two or three steps. A dock on the left wall indicates three. At the rise of curtain, THE BARBER, a man of fifty, is discovered sharpening a razor, and whistling softly to...
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CAST Jim Weston A young man and the town bully (A Methodist) Dave Carter The town's best hunter and fisherman (Baptist) Joe Clarke The Mayor, Postmaster, storekeeper Daisy Blunt The town vamp Lum Boger The Marshall Walter Thomas A villager (Methodist) Lige Moseley A villager (Methodist) Joe Lindsay A villager (Baptist) Della Lewis A villager (Baptist) Tod Hambo A villager (Baptist) Lucy Taylor A...
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ACT I. I. 1 Scene I. Enter Duke, , Gaoler, , and other Attendants. Æge. Proceed, , to procure my fall, And by the doom of death end woes and all. Duke. Merchant of Syracusa, plead no more; I am not partial to infringe our laws: The enmity and discord which of late 5 Sprung from the rancorous outrage of your duke To merchants, our well-dealing countrymen, Who, wanting guilders to redeem their lives,...
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by:
Edwin Bjorkman
This is one of the three plays which Strindberg placed at the head of his dramatic production during the middle ultra-naturalistic period, the other two being "The Father" and "Miss Julia." It is, in many ways, one of the strongest he ever produced. Its rarely excelled unity of construction, its tremendous dramatic tension, and its wonderful psychological analysis combine to make it a...
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COLUMBINE: Pierrot, a macaroon! I cannot live without a macaroon! PIERROT: My only love, You are so intense! . . . Is it Tuesday, Columbine?— I'll kiss you if it's Tuesday. COLUMBINE: It is Wednesday, If you must know . . . . Is this my artichoke, Or yours? PIERROT: Ah, Columbine,—as if it mattered! Wednesday . . . . Will it be Tuesday, then, to-morrow, By any chance? COLUMBINE: To-morrow...
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SCENE I. THE DIET AT CRACOW. On the rising of the curtain the Polish Diet is discovered, seatedin the great senate hall. On a raised platform, elevated by threesteps, and surmounted by a canopy, is the imperial throne, theescutcheons of Poland and Lithuania suspended on each side. The KINGseated upon the throne; on his right and left hand his ten royalofficers standing on the platform. Below the...
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