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SCENE FIRST.—THE FOREST NEAR THE PROPHET'S TOWN ON THE TIPPECANOE. Enter the PROPHET. PROPHET. Twelve moons have wasted, and no tidings still! Tecumseh must have perished! Joy has tearsAs well as grief, and mine will freely flow—Sembling our women's piteous privilege—Whilst dry ambition ambles to its ends.My schemes have swelled to greatness, and my nameHas flown so far upon the wings... more...

ACT THE FIRST. SCENE I.BATTLEMENTS, WITH A SEA PROSPECT. Enter Zanga. Zan.Whether first nature, or long want of peace,Has wrought my mind to this, I cannot tell;But horrors now are not displeasing to me:[thunder.I like this rocking of the battlements.Rage on, ye winds; burst, clouds; and, waters, roar!You bear a just resemblance of my fortune,And suit the gloomy habit of my soul.Enter... more...

ACT FIRST. [A spacious garden-room, with one door to the left, and two doors to the right. In the middle of the room a round table, with chairs about it. On the table lie books, periodicals, and newspapers. In the foreground to the left a window, and by it a small sofa, with a worktable in front of it. In the background, the room is continued into a somewhat narrower conservatory, the walls of which... more...

MEASURE FOR MEASURE. ACT I. I. 1 Scene I. An apartment in the Duke’s palace. Enter Duke, Escalus, . Duke. Escalus. Escal. My lord. Duke. Of government the properties to unfold, Would seem in me to affect speech and discourse; 5 Since I am to know that your own science Exceeds, in that, the lists of all advice My strength can give you: then no more . . . . . . . . . . . . . . . . . . . . as your worth... more...

ACT I. Scene. The Doctor's consulting room. Ground floor, 13 Marmalade Street, Pimlico. (See Scene Plot.) (Aurora. the slavey, discovered laying out Doctor's letters lovingly on his writing table; she kisses each one as she lays it down—all are in blue envelopes.) Aurora. They're all for 'im—the dear doctor. Won't 'e be pleased when 'e comes back and finds all... more...

ACTORS' DESCRIPTION OF CHARACTERS Margaret Chalmers. Twenty-seven years of age; a strong, mature woman, but quite feminine where her heart or sense of beauty are concerned. Her eyes are wide apart. Has a dazzling smile, which she knows how to use on occasion. Also, on occasion, she can be firm and hard, even cynical An intellectual woman, and at the same time a very womanly woman, capable of... more...

At rise, is seen the entrance to a tent, out of which steps an animal-tamer, with long, black curls, dressed in a white cravat, a vermilion dress-coat, white trowsers and white top-boots. He carries in his left hand a dog-whip and in his right a loaded revolver, and enters to the sound of cymbals and kettle-drums.) Walk in! Walk in to the menagery,Proud gentlemen and ladies lively and merry!With avid... more...

ACT ONE SCENE: A Room in the Church Tower. Window shutters at back wide open, starlit sky is seen through windows. Background: Snow covered house-roofs; gable windows in the distance brilliantly illuminated. In room an old chair, a fire-pan and a picture of the Virgin, with a lighted candle before it. Room is divided by posts—two in centre thick enough to conceal an adult. Chant, in unison, from the... more...

REMARKS. There seems to be required by a number of well meaning persons of the present day a degree of moral perfection in a play, which few literary works attain; and in which sermons, and other holy productions, are at times deficient, though written with the purest intention. To criticise any book, besides the present drama, was certainly not a premeditated design in writing this little essay; but... more...

ACT  V SCENE  I.   The Forest of Arden [Enter TOUCHSTONE and AUDREY.]TOUCHSTONEWe shall find a time, Audrey; patience, gentle Audrey. AUDREYFaith, the priest was good enough, for all the old gentleman's saying. TOUCHSTONEA most wicked Sir Oliver, Audrey, a most vile Martext. But, Audrey, there is a youth here in the forest lays claim to you. AUDREYAy, I know who 'tis: he hath no interest... more...