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ACT I It is after dinner on a January night, in the library in Lady Britomart Undershaft's house in Wilton Crescent. A large and comfortable settee is in the middle of the room, upholstered in dark leather. A person sitting on it [it is vacant at present] would have, on his right, Lady Britomart's writing table, with the lady herself busy at it; a smaller writing table behind him on his left;... more...

SCENE I. A spacious hall, supported on columns, with entrances on both sides;at the back of the stage a large folding-door leading to a chapel. DONNA ISABELLA in mourning; the ELDERS OF MESSINA. ISABELLA.Forth from my silent chamber's deep recesses,Gray Fathers of the State, unwillinglyI come; and, shrinking from your gaze, upliftThe veil that shades my widowed brows: the lightAnd glory of my days... more...

PEOPLE IN THE PLAY ALICE GARDNER: Daughter of James K. Gardner, President of the L.I. & W. Railroad "UNCLE" JOSEPH HATCH: Alias "Gentleman Joe" "BRICK" MEAKIN: Alias "Reddy, the Kid" HARRY HAYES: Alias "Grand Stand" Harry CAPTAIN LUCAS: Chief of Police Policemen, Brakemen, Engineers Scene—The dining room in the country house of James K. Gardner on Long... more...

by: Moliere
ACT I. SCENE I.——VALÈRE, ÉLISE. Val. What, dear Élise! you grow sad after having given me such dear tokens of your love; and I see you sigh in the midst of my joy! Can you regret having made me happy? and do you repent of the engagement which my love has forced from you? Eli. No, Valère, I do not regret what I do for you; I feel carried on by too delightful a power, and I do not even wish that... more...

Why the Chimes Rang. The scene is laid in a peasant's hut on the edge of a forest near a cathedral town. It is a dark low-raftered room lit only by the glowing wood fire in the great fireplace in the wall to the right, and by a faint moonlight that steals in through the little window high in the left wall. This window commands a view of the cathedral and of the road leading down into the town. The... more...

ACTVS PRIMVS. Enter the GHOAST OF ANDREA, and with him REUENGE. GHOAST. When this eternall substance of my souleDid liue imprisond in my wanton flesh,Ech in their function seruing others need,I was a courtier in the Spanish court:My name was Don Andrea; my discent,Though not ignoble, yet inferiour farTo gratious fortunes of my tender youth,For there, in prime and pride of all my yeeres,By duteous... more...

"The crescendo of quarrel is most skilfully and drolly arranged;— scene on classic lines boldly challenging and, what is more, maintaining comparison with Sheridan." Mr. A. B. Walkley—The London Times. "This new play, by Mr. Henry Arthur Jones, at The Haymarket, is surely as good a comedy as he has ever written. I should say, in evaluating Mr. Jones, that his greatest asset is his... more...

BIOGRAPHICAL NOTE "I tell you, you must have chaos in you, if you would givebirth to a dancing star."—Nietzsche. In Stockholm, living almost as a recluse, August Strindberg is dreaming life away. The dancing stars, sprung from the chaos of his being, shine with an ever-increasing refulgence from the high-arched dome of dramatic literature, but he no longer adds to their number. The... more...

PREFACE Believing plays to be solely for the stage, I have never before allowed any of mine to be printed until they had first faced from a stage the judgment of an audience, to see if they were entitled to be called plays at all. A successful production also has been sometimes a moral support to me when some critic has said, as for instance of "A Night at an Inn," that though it reads passably... more...

August Strindberg died at Stockholm On May 14, 1912, just ten days after the first of his plays given in English in the United States had completed a month's engagement. This play was "The Father," which, on April 9, 1912, was produced at the Berkeley Theatre in New York, the same little theatre that witnessed in 1894 the first performance in this country of Ibsen's "Ghosts."... more...