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TO THE RIGHT HONOURABLE CHARLES, LORD CLIFFORD OF LANESBOROUGH, etc. My Lord,—It is with a great deal of pleasure that I lay hold on this first occasion which the accidents of my life have given me of writing to your lordship: for since at the same time I write to all the world, it will be a means of publishing (what I would have everybody know) the respect and duty which I owe and pay to you.  I... more...

REMARKS. This tragedy has been so rapturously applauded on the stage, and so severely criticised in the closet, that it is a task of peculiar difficulty to speak either of its beauties or its defects, with any degree of certainty. To conciliate both the auditor and the reader, both the favourable and the unfavourable critic, the "Grecian Daughter" demands a set of Remarks for each side of the... more...

PREFACE A nice phrase: "A People's Theatre." But what about it? There's no such thing in existence as a People's Theatre: or even on the way to existence, as far as we can tell. The name is chosen, the baby isn't even begotten: nay, the would-be parents aren't married, nor yet courting. A People's Theatre. Note the indefinite article. It isn't The... more...

Exception has been taken to the title of this seeming tomfoolery on the ground that the Catherine it represents is not Great Catherine, but the Catherine whose gallantries provide some of the lightest pages of modern history. Great Catherine, it is said, was the Catherine whose diplomacy, whose campaigns and conquests, whose plans of Liberal reform, whose correspondence with Grimm and Voltaire enabled... more...

CHAPTER I EARLY CHURCH DRAMA ON THE CONTINENT The old Classical Drama of Greece and Rome died, surfeited with horror and uncleanness. Centuries rolled by, and then, when the Old Drama was no more remembered save by the scholarly few, there was born into the world the New Drama. By a curious circumstance its nurse was the same Christian Church that had thrust its predecessor into the grave. A man may... more...

THE FIRST ACT The scene is a drawing-room, prettily but somewhat showily decorated. The walls are papered with a design representing large clusters of white and purple lilac. The furniture is covered with a chintz of similar pattern, and the curtains, carpet, and lamp-shades correspond. In the wall facing the spectator are two windows, and midway between the windows there is the entrance to a... more...

THE MAN IN THE STALLS The sitting-room of a little flat in Shaftesbury Avenue. At back is a door leading to the dining-room—it is open, and the dinner-table is in full view of the audience. To the extreme right is another door, leading to the hall. The place is pleasantly and prettily, though quite inexpensively, furnished. To the left, at angles with the distempered wall, is a baby-grand piano; the... more...

It may surprise some people to learn that in 1915 this little play was a recruiting poster in disguise. The British officer seldom likes Irish soldiers; but he always tries to have a certain proportion of them in his battalion, because, partly from a want of common sense which leads them to value their lives less than Englishmen do [lives are really less worth living in a poor country], and partly... more...

ACT I It is noon. In the Underwoods' dining-room a bright fire isburning. On one side of the fireplace are double-doors leadingto the drawing-room, on the other side a door leading to thehall. In the centre of the room a long dining-table without acloth is set out as a Board table. At the head of it, in theChairman's seat, sits JOHN ANTHONY, an old man, big,clean-shaven, and high-coloured,... more...

HOUSEHOLD GODS THE SCENE is at the hearth of CRASSUS, where is a little bronze altar dedicated to the Lares and Penates. A pale flame rises from the burning sandal-wood, on which CRASSUS throws benzoin and musk. He is standing in deep dejection. CRASSUS.Smoke without fire!  No thrill of tongues licks up  The offerings in the cup.Dead falls desire. Black smoke thou art,  O altar-flame, that dost... more...