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INTRODUCTION It must have been on Synge's second visit to the Aran Islands that he had the experience out of which was wrought what many believe to be his greatest play. The scene of "Riders to the Sea" is laid in a cottage on Inishmaan, the middle and most interesting island of the Aran group. While Synge was on Inishmaan, the story came to him of a man whose body had been washed up on...
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SCENE 1 SCENEāA room with lighted fire, and a door into the open air, through which one sees, perhaps, the trees of a wood, and these trees should be painted in flat colour upon a gold or diapered sky. The walls are of one colour. The scene should have the effect of missal Painting. MARY, a woman of forty years or so, is grinding a quern. MARY. What can have made the grey hen flutter so? (TEIG, a boy...
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by:
Francis Beaumont
Actus primus. Scena prima. Enter Uncle and Merchant. Merc. When saw you Valentine? Uncle. Not since the Horse-race, he's taken up with those that woo the Widow. Mer. How can he live by snatches from such people? he bore a worthy mind. Uncle. Alas, he's sunk, his means are gone, he wants, and which is worse,Takes a delight in doing so. Mer. That's strange. Unc. Runs Lunatick, if you but...
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THE GAY LORD QUEX THE FIRST ACT The scene represents a manicure establishment in New Bond Street. It is a front room upon the first floor, with three french-windows affording a view of certain buildings on the east side of the street. On the left, furthest from the spectator, is a wide, arched opening, apparently leading to another apartment, in which is the door giving entrance to the rooms from the...
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by:
John Galsworthy
ACT I SCENE I The dressing-room of CHARLES WINSOR, owner of Meldon Court, nearNewmarket; about eleven-thirty at night. The room has pale greywalls, unadorned; the curtains are drawn over a window Back LeftCentre. A bed lies along the wall, Left. An open door, Right Back,leads into LADY ADELA's bedroom; a door, Right Forward, into a longcorridor, on to which abut rooms in a row, the whole length of...
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John Galsworthy
ACT I It is the night of Christmas Eve, the SCENE is a Studio, flushwith the street, having a skylight darkened by a fall of snow.There is no one in the room, the walls of which are whitewashed,above a floor of bare dark boards. A fire is cheerfullyburning. On a model's platform stands an easel and canvas.There are busts and pictures; a screen, a little stool, two arm.chairs, and a long...
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Bernard Shaw
PROLOGUE The tableau curtains are closed. An English archdeacon comes through them in a condition of extreme irritation. He speaks through the curtains to someone behind them. THE ARCHDEACON. Once for all, Ermyntrude, I cannot afford to maintain you in your present extravagance. [He goes to a flight of steps leading to the stalls and sits down disconsolately on the top step. A fashionably dressed lady...
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ACT I. SCENE: [Country public-house or shebeen, very rough and untidy. There is a sort of counter on the right with shelves, holding many bottles and jugs, just seen above it. Empty barrels stand near the counter. At back, a little to left of counter, there is a door into the open air, then, more to the left, there is a settle with shelves above it, with more jugs, and a table beneath a window. At the...
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by:
Joseph Conrad
ONE DAY MORE SCENE I. CURTAIN RISES DISCLOSING CARVIL and Bessie moving away from sea-wall. Bessie about twenty-five. Black dress; black straw hat. A lot of mahogany-coloured hair loosely done up. Pale face. Full figure. Very quiet. Carvil, blind, unwieldy. Reddish whiskers; slow, deep voice produced without effort. Immovable, big face. Carvil (Hanging heavily on Bessie's arm). Careful! Go slow!...
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CHRISTOPHER MARLOWE The first great English poet was the father of English tragedy and the creator of English blank verse. Chaucer and Spenser were great writers and great men: they shared between them every gift which goes to the making of a poet except the one which alone can make a poet, in the proper sense of the word, great. Neither pathos nor humor nor fancy nor invention will suffice for that:...
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