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INTRODUCTORY NOTE ROBERT BROWNING stands, in respect to his origin and his career, in marked contrast to the two aristocratic poets beside whose dramas his "Blot in the 'Scutcheon" is here printed. His father was a bank clerk and a dissenter at a time when dissent meant exclusion from Society; the poet went neither to one of the great public schools nor to Oxford or Cambridge; and no... more...

ACT  IV SCENE  I.  London.  Before the Tower [Enter, on one side, QUEEN ELIZABETH, DUCHESS of YORK, and MARQUIS of DORSET; on the other, ANNE DUCHESS of GLOSTER, leading LADY MARGARET PLANTAGENET, CLARENCE's young daughter.]DUCHESSWho meets us here?—my niece Plantagenet,Led in the hand of her kind aunt of Gloster?Now, for my life, she's wandering to the Tower,On pure heart's love,... more...

INTRODUCTION In the first decade of the eighteenth century, with comedy in train to be altered out of recognition to please the reformers and the ladies, one of the two talented writers who attempted to keep the comic muse alive in something like her "Restoration" form was Thomas Baker.[1] Of Baker's four plays which reached the stage, none has been reprinted since the eighteenth century... more...

Actus PrimusScena Prima Enter Gaspero, and Melitus MelitusSir, you're the very friend I wish'd to meet with,I have a large discourse invites your earTo be an Auditor. GasperoAnd what concerns it? MelitusThe sadly thriving progress of the lovesBetween my Lord, the Prince, and that great Lady,Whose insolence, and never-yet-match'd Pride,Can by no Character be well exprest,But in her only... more...

ACT I. SCENE I. Mr. ANDREWS's house. Enter MARIA and THOMAS. MARIA. But why these moping, melancholy looks?Each eye observes and marks them now unseemly,Whilst every countenance but your's speaks joy,At the near wedding of our master's daughter.Sure none so well deserv'd this noble prize:And young lord Weston will be bless'd indeed. THOMAS. It has been countermanded. MARIA.... more...

FIRST ACT SCENE The octagon room at Sir Robert Chiltern’s house in Grosvenor Square. [The room is brilliantly lighted and full of guests.  At the top of the staircase stands lady chiltern, a woman of grave Greek beauty, about twenty-seven years of age.  She receives the guests as they come up.  Over the well of the staircase hangs a great chandelier with wax lights, which illumine a large... more...

PROLOGUE Overture; forest sounds, roaring of lions, Christian hymn faintly. A jungle path. A lion's roar, a melancholy suffering roar, comes from the jungle. It is repeated nearer. The lion limps from the jungle on three legs, holding up his right forepaw, in which a huge thorn sticks. He sits down and contemplates it. He licks it. He shakes it. He tries to extract it by scraping it along the... more...

THE ALLEVIATIONS OF MONOGAMY. This piece is not an argument for or against polygamy. It is a clinical study of how the thing actually occurs among quite ordinary people, innocent of all unconventional views concerning it. The enormous majority of cases in real life are those of people in that position. Those who deliberately and conscientiously profess what are oddly called advanced views by those... more...

ACT I SCENE 1 A Street in Burgos; the Cathedral in the distance. [Enter Two Courtiers.] I:1:1 1ST COURT.The Prince of Hungary dismissed? I:1:2 2ND COURT.IndeedSo runs the rumour. I:1:3 1ST COURT.Why the spousal noteStill floats upon the air! I:1:4 2ND COURT.Myself this mornBeheld the Infanta's entrance, as she threw,Proud as some hitless barb, her haughty glanceOn our assembled chiefs. I:1:5 1ST... more...

Four of the five ensuing Plays belong to a peculiar class of our early dramatic performances never yet especially noticed, nor sufficiently illustrated. Many specimens have of late years been printed, and reprinted, of Miracle-plays, of Moral-plays, and of productions written in the most matured period of our dramatic literature; but little or nothing has been done to afford information respecting a... more...