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PREFACE Like many other works of mine, this playlet is a piece d'occasion. In 1905 it happened that Mr Arnold Daly, who was then playing the part of Napoleon in The Man of Destiny in New York, found that whilst the play was too long to take a secondary place in the evening's performance, it was too short to suffice by itself. I therefore took advantage of four days continuous rain during a... more...

CHRISTOPHER MARLOWE The first great English poet was the father of English tragedy and the creator of English blank verse. Chaucer and Spenser were great writers and great men: they shared between them every gift which goes to the making of a poet except the one which alone can make a poet, in the proper sense of the word, great. Neither pathos nor humor nor fancy nor invention will suffice for that:... more...

INTRODUCTION The greatest of English dramatists except Shakespeare, the first literary dictator and poet-laureate, a writer of verse, prose, satire, and criticism who most potently of all the men of his time affected the subsequent course of English letters: such was Ben Jonson, and as such his strong personality assumes an interest to us almost unparalleled, at least in his age. Ben Jonson came of the... more...

THE FIRST ACT. Debt The scene is a conservatory built and decorated in Moorish style, in the house of the Rt. Hon. Sir Julian Twombley, M.P., Chesterfield Gardens, London. A fountain is playing, and tall palms lend their simple elegance to the elaborate Algerian magnificence of the place. The drawing-rooms are just beyond the curtained entrances. It is a May afternoon. Brooke Twombley, a good-looking... more...

ACT  IV SCENE  I.  London.  Before the Tower [Enter, on one side, QUEEN ELIZABETH, DUCHESS of YORK, and MARQUIS of DORSET; on the other, ANNE DUCHESS of GLOSTER, leading LADY MARGARET PLANTAGENET, CLARENCE's young daughter.]DUCHESSWho meets us here?—my niece Plantagenet,Led in the hand of her kind aunt of Gloster?Now, for my life, she's wandering to the Tower,On pure heart's love,... more...

SCENE I It is just after sunset of an August evening. The scene is aroom in a mountain hut, furnished only with a table, benches.and a low broad window seat. Through this window three rockypeaks are seen by the light of a moon which is slowly whiteningthe last hues of sunset. An oil lamp is burning. SEELCHEN, amountain girl, eighteen years old, is humming a folk-song, andputting away in a cupboard... more...

INTRODUCTION In the first decade of the eighteenth century, with comedy in train to be altered out of recognition to please the reformers and the ladies, one of the two talented writers who attempted to keep the comic muse alive in something like her "Restoration" form was Thomas Baker.[1] Of Baker's four plays which reached the stage, none has been reprinted since the eighteenth century... more...

ACT I. SCENE I. Mr. ANDREWS's house. Enter MARIA and THOMAS. MARIA. But why these moping, melancholy looks?Each eye observes and marks them now unseemly,Whilst every countenance but your's speaks joy,At the near wedding of our master's daughter.Sure none so well deserv'd this noble prize:And young lord Weston will be bless'd indeed. THOMAS. It has been countermanded. MARIA.... more...

PROLOGUE Overture; forest sounds, roaring of lions, Christian hymn faintly. A jungle path. A lion's roar, a melancholy suffering roar, comes from the jungle. It is repeated nearer. The lion limps from the jungle on three legs, holding up his right forepaw, in which a huge thorn sticks. He sits down and contemplates it. He licks it. He shakes it. He tries to extract it by scraping it along the... more...

THE ALLEVIATIONS OF MONOGAMY. This piece is not an argument for or against polygamy. It is a clinical study of how the thing actually occurs among quite ordinary people, innocent of all unconventional views concerning it. The enormous majority of cases in real life are those of people in that position. Those who deliberately and conscientiously profess what are oddly called advanced views by those... more...