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TO HOPE.Oh! take, young Seraph, take thy harp,And play to me so cheerily;For grief is dark, and care is sharp,And life wears on so wearily.Oh! take thy harp!Oh! sing as thou wert wont to do,When, all youth's sunny season long,I sat and listened to thy song,And yet 'twas ever, ever new,With magic in its heaven-tuned string—The future bliss thy constant theme.Oh! then each little woe took... more...

INTRODUCTION TO The Modern Gaelic Minstrelsy. The suspicion which arose in regard to the authenticity of Ossian, subsequent to his appearance in the pages of Macpherson, has unjustly excited a misgiving respecting the entire poetry of the Gael. With reference to the elder poetry of the Highlands, it has now been established that at the period of the Reformation, the natives were engrossed with the lays... more...

THE LAST ORACLE (A.D. 361)Years have risen and fallen in darkness or in twilight,   Ages waxed and waned that knew not thee nor thine,While the world sought light by night and sought not thy light,   Since the sad last pilgrim left thy dark mid shrine.Dark the shrine and dumb the fount of song thence welling,   Save for words more sad than tears of blood, that said: Tell the king, on earth has... more...

BABY TORTOISE You know what it is to be born alone,Baby tortoise!The first day to heave your feet little by littlefrom the shell,Not yet awake,And remain lapsed on earth,Not quite alive. A tiny, fragile, half-animate bean. To open your tiny beak-mouth, that looks as ifit would never open,Like some iron door;To lift the upper hawk-beak from the lower baseAnd reach your skinny little neckAnd take your... more...

The present Anthology is intended to serve as a companion volume to the Poetical Miscellanies published in England at the close of the sixteenth and the beginning of the seventeenth centuries. A few of the lyrics here collected are, it is true, included in “England’s Helicon,” Davison’s “Poetical Rhapsody,” and “The Phœnix’ Nest”; and some are to be found in the modern collections of... more...

INTRODUCTION. As if pointing to a condition of primeval happiness, Poetry has been the first language of nations. The Lyric Muse has especially chosen the land of natural sublimity, of mountain and of flood; and such scenes she has only abandoned when the inhabitants have sacrificed their national liberties. Edward I., who massacred the Minstrels of Wales, might have spared the butchery, as their... more...

INTRODUCTION. o have attempted in former times a work of this description, would have seemed, we cannot deny, to savour either of presumption or of idiotcy, or more probably of both. And rightly. But we live in times of progress. The mystery of yesterday is the common-place of to-day; the Bible, which was Newton's oracle, is Professor Huxley's jest-book; and students at the University now... more...

O MAY I JOIN THE CHOIR INVISIBLE! O may I join the choir invisibleOf those immortal dead who live againIn minds made better by their presence; liveIn pulses stirred to generosity,In deeds of daring rectitude, in scornOf miserable aims that end with self,In thoughts sublime that pierce the night like stars,And with their mild persistence urge men’s mindsTo vaster issues.    So to live is heaven:To... more...

PREFACE. Scotland has probably produced a more patriotic and more extended minstrelsy than any other country in the world. Those Caledonian harp-strains, styled by Sir Walter Scott "gems of our own mountains," have frequently been gathered into caskets of national song, but have never been stored in any complete cabinet; while no attempt has been made, at least on an ample scale, to adapt, by... more...

INTRODUCTION The last decade of the sixteenth century was marked by an outburst of sonneteering. To devotees of the sonnet, who find in that poetic form the moat perfect vehicle that has ever been devised for the expression of a single importunate emotion, it will not seem strange that at the threshold of a literary period whose characteristic note is the most intense personality, the instinct of poets... more...