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INTRODUCTION. As if pointing to a condition of primeval happiness, Poetry has been the first language of nations. The Lyric Muse has especially chosen the land of natural sublimity, of mountain and of flood; and such scenes she has only abandoned when the inhabitants have sacrificed their national liberties. Edward I., who massacred the Minstrels of Wales, might have spared the butchery, as their... more...

AT THE SIGN OF THE LYRE. "At the Sign of the Lyre," Good Folk, we present you With the pick of our quire, And we hope to content you! Here be Ballad and Song, The fruits of our leisure, Some short and some long— May they all give you pleasure! But if, when you read, They should fail to restore you, Farewell, and God-speed— The world is before you! THE LADIES OF ST. JAMES'S. A PROPER... more...

INTRODUCTION. o have attempted in former times a work of this description, would have seemed, we cannot deny, to savour either of presumption or of idiotcy, or more probably of both. And rightly. But we live in times of progress. The mystery of yesterday is the common-place of to-day; the Bible, which was Newton's oracle, is Professor Huxley's jest-book; and students at the University now... more...

PREFACE. Scotland has probably produced a more patriotic and more extended minstrelsy than any other country in the world. Those Caledonian harp-strains, styled by Sir Walter Scott "gems of our own mountains," have frequently been gathered into caskets of national song, but have never been stored in any complete cabinet; while no attempt has been made, at least on an ample scale, to adapt, by... more...

LIFE OF KEATS Of all the great poets of the early nineteenth century—Wordsworth, Coleridge, Scott, Byron, Shelley, Keats—John Keats was the last born and the first to die. The length of his life was not one-third that of Wordsworth, who was born twenty-five years before him and outlived him by twenty-nine. Yet before his tragic death at twenty-six Keats had produced a body of poetry of such... more...

ROSAMUND. His blew His winds, and they were scattered. 'One soweth and another reapeth.'                                     Ay,Too true, too true. One soweth—unawareCometh a reaper stealthily while he dreams—Bindeth the golden sheaf, and in his bosomAs 't were between the dewfall and the dawnBears it away. Who other was to blame?Is it I? Is it... more...

THE BROOK.I come from haunts of coot and hern,I make sudden sallyAnd sparkle out among the fern,To bicker down a valley.By thirty hills I hurry down,Or slip between the ridges,By twenty thorps, a little town,And half a hundred bridges.I chatter over stony ways,In little sharps and trebles,I bubble into eddying bays,I babble on the pebbles.With many a curve my banks I fretBy many a field and fallow,And... more...

INTRODUCTION Professor Elizabeth Story Donno, in her recent (New York, 1963), has made an important contribution to both scholarship and teaching. Not only has she brought together for the first time in one volume most of the extant Elizabethan minor epics, but in so doing, she has hastened the recognition that the minor epic, or "epyllion" as it has often been called in modern times,[] is a... more...

THE CHRONICLE OF THE DRUM. PART I. At Paris, hard by the Maine barriers,Whoever will choose to repair,Midst a dozen of wooden-legged warriorsMay haply fall in with old Pierre.On the sunshiny bench of a tavernHe sits and he prates of old wars,And moistens his pipe of tobaccoWith a drink that is named after Mars. The beer makes his tongue run the quicker,And as long as his tap never fails,Thus over his... more...

THE BURIAL OF THE LINNET.Found in the garden—dead in his beauty.Ah! that a linnet should die in the spring!Bury him, comrades, in pitiful duty,Muffle the dinner-bell, solemnly ring.Bury him kindly—up in the corner;Bird, beast, and gold-fish are sepulchred there;Bid the black kitten march as chief mourner,Waving her tail like a plume in the air.Bury him nobly—next to the donkey;Fetch the old... more...