English, Irish, Scottish, Welsh Books

INTRODUCTION In an address to the American Society for Eighteenth Century Studies at the 1983 annual meeting, Roger Lonsdale suggested that our knowledge of eighteenth-century poetry has depended heavily on what our anthologies have decided to print. For the most part modern anthologies have, in turn, drawn on collections put together at the end of the eighteenth century and the beginning of the next,... more...

I.  FROM FREDERICK GRAHAM. Mother, I smile at your alarms!I own, indeed, my Cousin’s charms,But, like all nursery maladies,Love is not badly taken twice.Have you forgotten Charlotte Hayes,My playmate in the pleasant daysAt Knatchley, and her sister, Anne,The twins, so made on the same plan,That one wore blue, the other white,To mark them to their father’s sight;And how, at Knatchley harvesting,You... more...

[213] THE "aesthetic" poetry is neither a mere reproduction of Greek or medieval poetry, nor only an idealisation of modern life and sentiment. The atmosphere on which its effect depends belongs to no simple form of poetry, no actual form of life. Greek poetry, medieval or modern poetry, projects, above the realities of its time, a world in which the forms of things are transfigured. Of that... more...

INTRODUCTION Professor Elizabeth Story Donno, in her recent (New York, 1963), has made an important contribution to both scholarship and teaching. Not only has she brought together for the first time in one volume most of the extant Elizabethan minor epics, but in so doing, she has hastened the recognition that the minor epic, or "epyllion" as it has often been called in modern times,[] is a... more...

THE BROOK.I come from haunts of coot and hern,I make sudden sallyAnd sparkle out among the fern,To bicker down a valley.By thirty hills I hurry down,Or slip between the ridges,By twenty thorps, a little town,And half a hundred bridges.I chatter over stony ways,In little sharps and trebles,I bubble into eddying bays,I babble on the pebbles.With many a curve my banks I fretBy many a field and fallow,And... more...

ROSAMUND. His blew His winds, and they were scattered. 'One soweth and another reapeth.'                                     Ay,Too true, too true. One soweth—unawareCometh a reaper stealthily while he dreams—Bindeth the golden sheaf, and in his bosomAs 't were between the dewfall and the dawnBears it away. Who other was to blame?Is it I? Is it... more...

AT THE FOOT OF HEMLOCK MOUNTAIN "In connection with this phase of the problem of transportation it must be remembered that the rush of population to the great cities was no temporary movement. It is caused by a final revolt against that malignant relic of the dark ages, the country village and by a healthy craving for the deep, full life of the metropolis, for contact with the vitalizing stream of... more...

This is Fairy's Album.This is Fairy, bright as Spring,Loving every living thingWith a love so sweet and true,That all creatures love her too!This is Fairy, bright as Spring,In Fairy's Album. This is Fairy, wondrous wise,Sunshine laughing in her eyes,Who will prattle on for hoursTo the brooks and trees and flowers,To the birds and butterflies,To all creatures 'neath the... more...

LIFE OF KEATS Of all the great poets of the early nineteenth century—Wordsworth, Coleridge, Scott, Byron, Shelley, Keats—John Keats was the last born and the first to die. The length of his life was not one-third that of Wordsworth, who was born twenty-five years before him and outlived him by twenty-nine. Yet before his tragic death at twenty-six Keats had produced a body of poetry of such... more...

INTRODUCTION TOTHE FIRST AND SECOND CANTOS OF CHILDE HAROLD. The First Canto of Childe Harold was begun at Janina, in Albania, October 31, 1809, and the Second Canto was finished at Smyrna, March 28, 1810. The dates were duly recorded on the MS.; but in none of the letters which Byron wrote to his mother and his friends from the East does he mention or allude to the composition or existence of such a... more...