Literary Criticism
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General Books
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Andrew Lang
INTRODUCTORY: OF MODERN ENGLISH POETRY To Mr. Arthur Wincott, Topeka, Kansas. Dear Wincott,—You write to me, from your “bright home in the setting sun,” with the flattering information that you have read my poor “Letters to Dead Authors.” You are kind enough to say that you wish I would write some “Letters to Living Authors;” but that, I fear, is out of the question,—for me. A...
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PREFACE. The following treatise was awarded the Harness Prize at Cambridge in 1904. I have, however, revised it since then, and in some matters considerably enlarged it. A list of the chief authorities to whom I am indebted will be found at the end of the book, but it is fitting that I should here make particular mention of my obligations to the exhaustive work of Mr Bond. Not only have his labours of...
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by:
Brander Matthews
LITERATURE IN THE NEW CENTURY [This paper was read on September 24th, 1904, in the section of Belles-lettres of the International Congress of the Arts and Sciences, held at St. Louis.] There is no disguising the difficulty of any attempt to survey the whole field of literature as it is disclosed before us now at the opening of a new century; and there is no denying the danger of any effort to declare...
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INTRODUCTION The earliest history of the Slavic nations is involved in a darkness, which all the investigations of diligent and sagacious modern historians and philologians have not been able to clear up. The analogy between their language and the Sanscrit, seems to indicate their origin from India; but to ascertain the time at which they first entered Europe, is now no longer possible. Probably this...
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When I first met Belloc he remarked to the friend who introduced us that he was in low spirits. His low spirits were and are much more uproarious and enlivening than anybody else's high spirits. He talked into the night; and left behind in it a glowing track of good things. When I have said that I mean things that are good, and certainly not merely bons mots, I have said all that can be said in...
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The events of Mr. James's life—as we agree to understand events—may be told in a very few words. His race is Irish on his father's side and Scotch on his mother's, to which mingled strains the generalizer may attribute, if he likes, that union of vivid expression and dispassionate analysis which has characterized his work from the first. There are none of those early struggles with...
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INTRODUCTION THE NORMALITY OF MR WELLS In his Preface to the Unpleasant Plays, Mr Shaw boasts his possession of "normal sight." The adjective is the oculist's, and the application of it is Mr Shaw's, but while the phrase is misleading until it is explained to suit a particular purpose, it has a pleasing adaptability, and I can find none better as a key to the works of Mr H.G. Wells....
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The Problem of a Preface A peculiar difficulty arrests the writer of this rough study at the very start. Many people know Mr. Bernard Shaw chiefly as a man who would write a very long preface even to a very short play. And there is truth in the idea; he is indeed a very prefatory sort of person. He always gives the explanation before the incident; but so, for the matter of that, does the Gospel of St....
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by:
Julius West
INTRODUCTORYThehabit, to which we are so much addicted, of writing books about other people who have written books, will probably be a source of intense discomfort to its practitioners in the twenty-first century. Like the rest of their kind, they will pin their ambition to the possibility of indulging in epigram at the expense of their contemporaries. In order to lead up to the achievement of this...
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by:
Arthur Symons
SAINT AUGUSTINE The Confessions of St. Augustine are the first autobiography, and they have this to distinguish them from all other autobiographies, that they are addressed directly to God. Rousseau's unburdening of himself is the last, most effectual manifestation of that nervous, defiant consciousness of other people which haunted him all his life. He felt that all the men and women whom he...
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