Literary Criticism Books

My dear Cowell: As these Lectures would never have been written or delivered but for your hearty encouragement, I hope you will now allow me to dedicate them to you, not only as a token of my sincere admiration of your great achievements as an Oriental scholar, but also as a memorial of our friendship, now more than thirty years old, a friendship which has grown from year to year, has weathered many a... more...

1881. Question 1.—Sound is said to travel about four times as fast in water as in air. How has this been proved? State your reasons for thinking whether sound travels faster or slower in oil than in water. <p 184> Answer(a).—Mr. Colladon, a gentleman who happened to have a boat, wrote to a friend called Mr. Sturm to borrow another boat and row out on the other side of the lake, first... more...

When I first met Belloc he remarked to the friend who introduced us that he was in low spirits. His low spirits were and are much more uproarious and enlivening than anybody else's high spirits. He talked into the night; and left behind in it a glowing track of good things. When I have said that I mean things that are good, and certainly not merely bons mots, I have said all that can be said in... more...

INTRODUCTION The earliest history of the Slavic nations is involved in a darkness, which all the investigations of diligent and sagacious modern historians and philologians have not been able to clear up. The analogy between their language and the Sanscrit, seems to indicate their origin from India; but to ascertain the time at which they first entered Europe, is now no longer possible. Probably this... more...

JOSEPH CONRAD "Under all his stories there ebbs and flows a kind of tempered melancholy, a sense of seeking and not finding...." I take the words from a little book on Joseph Conrad by Wilson Follett, privately printed, and now, I believe, out of print. They define both the mood of the stories as works of art and their burden and direction as criticisms of life. Like Dreiser, Conrad is forever... more...

INTRODUCTION ESTHONIA Esthonia, or Estonia, as some prefer to write it, is the most northerly of the three so-called German or Baltic provinces of Russia—Esthonia, Livonia, and Courland. It is bounded on the north by the Gulf of Finland, which lies between that country and Esthonia; on the east by the Government of St. Petersburg; on the south by Livonia, and on the west by the Baltic. Opposite its... more...

The beginnings of Literature in England. Two poets of the best period of our old poetry, Caedmon and Cynewulf. The language they wrote in. The monastery at Whitby. The story of Caedmon's gift of song.How many of us I wonder, realise in anything like its full extent the beauty and the glory of our Catholic heritage. Do we think how the Great Mother, the keeper of truth, the guardian of beauty, the... more...

CHAPTER I THE "VINEYARD" AT JAMNIA Schools at Jamnia, Lydda, Usha, and Sepphoris.—The Tannaim compile the Mishnah.—Jochanan, Akiba, Meir, Judah.—Aquila. The story of Jewish literature, after the destruction of the Temple at Jerusalem in the year 70 of the Christian era, centres round the city of Jamnia. Jamnia, or Jabneh, lay near the sea, beautifully situated on the slopes of a gentle... more...

A GLANCE AT JEWISH LITERATURE In a well-known passage of the Romanzero, rebuking Jewish women for their ignorance of the magnificent golden age of their nation's poetry, Heine used unmeasured terms of condemnation. He was too severe, for the sources from which he drew his own information were of a purely scientific character, necessarily unintelligible to the ordinary reader. The first truly... more...

SHAKESPEARE AND PRECIOUS STONES So wide is the range of the immortal verse of Shakespeare, and so many and various are the subjects he touched upon and adorned with the magic beauty of his poetic imagery, that it will be of great interest to refer to the allusions to gems and precious stones in his plays and poems. These allusions are all given in the latter part of this volume. What can we learn from... more...