Literary Criticism Books

ALEXANDER POPE. This eminent English poet was born in London, May 21, 1688. His parents were Roman Catholics, and to this faith the poet adhered, thus debarring himself from public office and employment. His father, a linen merchant, having saved a moderate competency, withdrew from business, and settled on a small estate he had purchased in Windsor Forest. He died at Chiswick, in 1717. His son shortly... more...

CHAPTER I. The Subject Defined To attempt at the outset a rigid definition of the word romanticism would be to anticipate the substance of this volume. To furnish an answer to the question—What is, or was, romanticism? or, at least, What is, or was English romanticism?—is one of my main purposes herein, and the reader will be invited to examine a good many literary documents, and to do a certain... more...

CHAPTER I THE RENAISSANCE (1) There are times in every man's experience when some sudden widening of the boundaries of his knowledge, some vision of hitherto untried and unrealized possibilities, has come and seemed to bring with it new life and the inspiration of fresh and splendid endeavour. It may be some great book read for the first time not as a book, but as a revelation; it may be the first... more...

I. The greatest poet of our age has drawn a parallel of elaborate eloquence between Shakespeare and the sea; and the likeness holds good in many points of less significance than those which have been set down by the master-hand.  For two hundred years at least have students of every kind put forth in every sort of boat on a longer or a shorter voyage of research across the waters of that unsounded... more...

Chapter I. Material and Method. If the writer who ventures to say something more about books and their uses is wise, he will not begin with an apology; for he will know that, despite all that has been said and written on this engrossing theme, the interest of books is inexhaustible, and that there is always a new constituency to read them. So rich is the vitality of the great books of the world that... more...

PREFACE. The following pages contain nothing new and nothing original, but they do contain a good deal of information gathered from various sources, and brought together under one cover. The book itself may be useful, not, perhaps, to the Professor or to the Orientalist, but to the general reader, and to the student commencing the study of Arabic. To the latter it will give some idea of the vast field... more...

PREFACE This is no Chronicle of Saints. Nor yet is it a History of Devils. It is a record of certain very human, strenuous men in a very human, strenuous age; a lustful, flamboyant age; an age red with blood and pale with passion at white-heat; an age of steel and velvet, of vivid colour, dazzling light and impenetrable shadow; an age of swift movement, pitiless violence and high endeavour, of sharp... more...

INTRODUCTION. In England, as elsewhere, criticism was a late birth of the literary spirit. English poets had sung and literary prose been written for centuries before it struck men to ask themselves, What is the secret of the power that these things have on our mind, and by what principles are they to be judged? And it could hardly have been otherwise. Criticism is a self-conscious art, and could not... more...

CHAPTER I THOTH, THE AUTHOR OF EGYPTIAN LITERATURE.WRITING MATERIALS, ETC. The Literature of ancient Egypt is the product of a period of about four thousand years, and it was written in three kinds of writing, which are called hieroglyphic, hieratic, and demotic. In the first of these the characters were pictures of objects, in the second the forms of the characters were made as simple as possible so... more...