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INTRODUCTION THE KINDS OF CRITICISM It is probably unnecessary, and might possibly be impertinent, to renew here at any length the old debate between reviewers as reviewers, and reviewers as authors—the debate whether the reissue of work contributed to periodicals is desirable or not. The plea that half the best prose literature of this century would be inaccessible if the practice had been...
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Kuno Francke
BISMARCK AS A NATIONAL TYPE[1] BY KUNO FRANCKE, PH.D., LL.D., Litt.D. Professor of the History ofGerman Culture, Harvard University. No man since Luther has been a more complete embodiment of German nationality than Otto von Bismarck. None has been closer to the German heart. None has stood more conspicuously for racial aspirations, passions, ideals. It is the purpose of the present sketch to bring out...
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OF "THE NOVEL" do not intend in these pages to put in a plea for this little novel. On the contrary, the ideas I shall try to set forth will rather involve a criticism of the class of psychological analysis which I have undertaken in Pierre et Jean. I propose to treat of novels in general. I am not the only writer who finds himself taken to task in the same terms each time he brings out a new...
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THE TYRANNY OF THE AMERICAN MAJORITY I hold it to be an impious and execrable maxim that, politically speaking, the people has a right to do whatever it pleases; and yet I have asserted that all authority originates in the will of the majority. Am I then in contradiction with myself? A general law, which bears the name of justice, has been made and sanctioned not only by a majority of this or that...
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In a little place called Le Monastier, in a pleasant highland valley fifteen miles from Le Puy, I spent about a month of fine days. Monastier is notable for the making of lace, for drunkenness, for freedom of language, and for unparalleled political dissension. There are adherents of each of the four French parties—Legitimists, Orleanists, Imperialists, and Republicans—in this little...
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William Hazlitt
ESSAY I. ON THE PLEASURE OF PAINTING 'There is a pleasure in painting which none but painters know.' In writing, you have to contend with the world; in painting, you have only to carry on a friendly strife with Nature. You sit down to your task, and are happy. From the moment that you take up the pencil, and look Nature in the face, you are at peace with your own heart. No angry passions rise...
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The first aim of art, no doubt, is the representation of things as they are. But then things are as our eyes see them and as our minds make them; and it is thus of primary importance for the critic to distinguish the precise qualities of the eyes and minds which make the world into imaginative literature. Reality may be so definite and so false, just as it may be so fantastic and so true; and, among...
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Arnold Bennett
THE DOME He wakened from a charming dream, in which the hat had played a conspicuous part. 'I shouldn't mind having that hat,' he murmured. A darkness which no eye could penetrate surrounded him as he lay in bed. Absolute obscurity was essential to the repose of that singular brain, and he had perfected arrangements for supplying the deficiencies of Nature's night. He touched a...
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Count Eustache d'Etchegorry's solitary country house had the appearance of a poor man's home, where people do not have enough to eat every day in the week, where the bottles are more frequently filled at the pump than in the cellar, and where they wait until it is dark before lighting the candles. It was an old and sordid building; the walls were crumbling to pieces, the grated, iron...
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The Monday Evening Club of Hartford was an association of most ofthe literary talent of that city, and it included a number of verydistinguished members. The writers, the editors, the lawyers, andthe ministers of the gospel who composed it were more often than notmen of national or international distinction. There was but onepaper at each meeting, and it was likely to be a paper that wouldlater find...
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