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Showing: 1-10 results of 121

OF "THE NOVEL"    do not intend in these pages to put in a plea for this little novel. On the contrary, the ideas I shall try to set forth will rather involve a criticism of the class of psychological analysis which I have undertaken in Pierre et Jean. I propose to treat of novels in general. I am not the only writer who finds himself taken to task in the same terms each time he brings out a new book. Among many laudatory phrases, I... more...

Count Eustache d'Etchegorry's solitary country house had the appearance of a poor man's home, where people do not have enough to eat every day in the week, where the bottles are more frequently filled at the pump than in the cellar, and where they wait until it is dark before lighting the candles. It was an old and sordid building; the walls were crumbling to pieces, the grated, iron gates were eaten away by rust, the holes in the broken windows... more...

I Little George was making hills of sand in one of the walks; he took it up with both his hands, made it into a pyramid, and then put a chestnut leaf on the top, and his father, sitting on an iron chair was looking at him with concentrated and affectionate attention, and saw nobody but him in that small public garden which was full of people. All along the circular road other children were occupied in the same manner, or else were indulging in... more...

The first aim of art, no doubt, is the representation of things as they are. But then things are as our eyes see them and as our minds make them; and it is thus of primary importance for the critic to distinguish the precise qualities of the eyes and minds which make the world into imaginative literature. Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly... more...

"After all," Count d'Avorsy said, stirring his tea with the slow movements of a prelate, "what truth was there in anything that was said at Court, almost without any restraint, and did the Empress, whose beauty has been ruined by some secret grief, who will no longer see anyone and who soothes her continual mental weariness by some journeys without an object and without a rest, in foggy and melancholy islands, and did she really forget Caesar's... more...


CHAPTER I. PROLOGUE In the year 1800, toward the close of October, a foreigner, accompanied by a woman and a little girl, was standing for a long time in front of the palace of the Tuileries, near the ruins of a house recently pulled down, at the point where in our day the wing begins which was intended to unite the chateau of Catherine de Medici with the Louvre of the Valois. The man stood there with folded arms and a bowed head, which he... more...

The most robust and masculine of recent French novelists is a typical Norman, sprung from an ancient noble family, originally of Lorraine, but long settled in the Pays de Caux. The traveler from England towards Paris, soon after leaving Dieppe, sees on his left hand, immediately beyond the station of St. Aubin, a handsome sixteenth-century house, the Château de Miromesnil, on a hill above the railway. Here, surrounded by the relics of his... more...

CHAPTER I In 1792 the townspeople of Issoudun enjoyed the services of a physician named Rouget, whom they held to be a man of consummate malignity. Were we to believe certain bold tongues, he made his wife extremely unhappy, although she was the most beautiful woman of the neighborhood. Perhaps, indeed, she was rather silly. But the prying of friends, the slander of enemies, and the gossip of acquaintances, had never succeeded in laying bare the... more...

THE PURSE For souls to whom effusiveness is easy there is a delicious hour that falls when it is not yet night, but is no longer day; the twilight gleam throws softened lights or tricksy reflections on every object, and favors a dreamy mood which vaguely weds itself to the play of light and shade. The silence which generally prevails at that time makes it particularly dear to artists, who grow contemplative, stand a few paces back from the... more...

THE ELIXIR OF LIFE One winter evening, in a princely palace at Ferrara, Don Juan Belvidero was giving a banquet to a prince of the house of Este. A banquet in those times was a marvelous spectacle which only royal wealth or the power of a mightly [sic] lord could furnish forth. Seated about a table lit up with perfumed tapers, seven laughter-loving women were interchanging sweet talk. The white marble of the noble works of art about them stood... more...