Continental European Books

THE ROMANTIC PHILOSOPHERS—FICHTE, SCHELLING, AND SCHLEIERMACHER By FRANK THILLY, PH.D., LL.D. Professor of Philosophy, CornellUniversity The Enlightenment of the eighteenth century had implicit faith in the powers of human reason to reach the truth. With its logical-mathematical method it endeavored to illuminate every nook and corner of knowledge, to remove all obscurity, mystery, bigotry, and... more...

CHAPTER I Edward—so we shall call a wealthy nobleman in the prime of life—had been spending several hours of a fine April morning in his nursery-garden, budding the stems of some young trees with cuttings which had been recently sent to him. He had finished what he was about, and having laid his tools together in their box, was complacently surveying his work, when the gardener came up and... more...

INTRODUCTION The story of Love, that simple theme with variations ad libitum, ad infinitum, is never old, never stale, never out-of-date.  And as we sometimes seek rest from the brilliant audacities and complex passions of Wagner or Tschaikowsky in the tender simplicity of some ancient English air, so we occasionally turn with relief from the wit and insight and subtlety of our modern novelists to the... more...

CHAPTER I THE CHILDREN KNOCK AT THE DOOR Early in the morning through the autumnal mist two children of six or seven years are wending their way, hand in hand, along the garden-paths outside the village. The girl, evidently the elder of the two, carries a slate, school-books, and writing materials under her arm; the boy has a similar equipment, which he carries in an open gray linen bag slung across... more...

PIERRE GRASSOU Whenever you have gone to take a serious look at the exhibition of works of sculpture and painting, such as it has been since the revolution of 1830, have you not been seized by a sense of uneasiness, weariness, sadness, at the sight of those long and over-crowded galleries? Since 1830, the true Salon no longer exists. The Louvre has again been taken by assault,—this time by a populace... more...

UNCONSCIOUS COMEDIANS Leon de Lora, our celebrated landscape painter, belongs to one of the noblest families of the Roussillon (Spanish originally) which, although distinguished for the antiquity of its race, has been doomed for a century to the proverbial poverty of hidalgos. Coming, light-footed, to Paris from the department of the Eastern Pyrenees, with the sum of eleven francs in his pocket for all... more...

THE BALL AT SCEAUX The Comte de Fontaine, head of one of the oldest families in Poitou, had served the Bourbon cause with intelligence and bravery during the war in La Vendee against the Republic. After having escaped all the dangers which threatened the royalist leaders during this stormy period of modern history, he was wont to say in jest, "I am one of the men who gave themselves to be killed on... more...

CHAPTER I. THE CHATEAU Les Aigues, August 6, 1823. To Monsieur Nathan, My dear Nathan,—You, who provide the public with such delightful dreams through the magic of your imagination, are now to follow me while I make you dream a dream of truth. You shall then tell me whether the present century is likely to bequeath such dreams to the Nathans and the Blondets of the year 1923; you shall estimate the... more...

I. THE LORRAINS At the dawn of an October day in 1827 a young fellow about sixteen years of age, whose clothing proclaimed what modern phraseology so insolently calls a proletary, was standing in a small square of Lower Provins. At that early hour he could examine without being observed the various houses surrounding the open space, which was oblong in form. The mills along the river were already... more...

THE PURSE For souls to whom effusiveness is easy there is a delicious hour that falls when it is not yet night, but is no longer day; the twilight gleam throws softened lights or tricksy reflections on every object, and favors a dreamy mood which vaguely weds itself to the play of light and shade. The silence which generally prevails at that time makes it particularly dear to artists, who grow... more...