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by: Moliere
ACT I. SCENE I.—DONNA ELVIRA, ELIZA. ELVIRA. No, the hidden feelings of my heart were not regulated by choice: whatever the Prince may be, there is nothing in him to make me prefer his love. Don Silvio shows, as well as he, all the qualities of a renowned hero. The same noble virtues and the same high birth made me hesitate whom to prefer. If aught but merit could gain my heart, the conqueror were... more...

Although the Masquerade itself, as a necessary protection against non-telepaths, was not fully formulated until the late years of the Seventeenth Century, groups of telepaths-in-hiding existed long before that date. Whether such groups were the results of natural mutations, or whether they came into being due to some other cause, has not yet been fully determined, but that a group did exist in the... more...

CHAPTER IA FAREWELL BANQUET "D'Aumont!" "Eh? d'Aumont!" The voice, that of a man still in the prime of life, but already raucous in its tone, thickened through constant mirthless laughter, rendered querulous too from long vigils kept at the shrine of pleasure, rose above the incessant babel of women's chatter, the din of silver, china and glasses passing to and fro.... more...

CHAPTER I Stanbury Hill, remote but two hours' walk from a region blasted with mine and factory and furnace, shelters with its western slope a fair green valley, a land of meadows and orchard, untouched by poisonous breath. At its foot lies the village of Wanley. The opposite side of the hollow is clad with native wood, skirting for more than a mile the bank of a shallow stream, a tributary of the... more...

The river ran still and deep, green and gray in the eddies with the warm smell of late summer rising out of the slow water. Madrone and birch and willow, limp in the evening quiet, and the taste of smouldering leaves.... It wasn’t the Russian River. It was the Sacred Iss. The sun had touched the gem-encrusted cliffs by the shores of the Lost Sea of Korus and had vanished, leaving only the stillness... more...

PROLOGUE At the piano a man sat playing the "Revolutionary Étude" of Chopin. The room was magnificent in its proportions, its furnishings were massive, its paneled oak walls were hung with portraits of men and women in the costumes of a bygone day. Through the lofty windows, the casements of which were open to the evening sky there was a vista of forest and meadow-land stretching interminably... more...

CHAPTER I So we settled it all when the storm was doneAs comf'y as comf'y could be;And I was to wait in the barn, my dears,Because I was only three;And Teddy would run to the rainbow's foot,Because he was five and a man;And that's how it all began, my dears,And that's how it all began. —Big Barn Stories. 'WHAT do you think she'd do if she caught us? We oughtn't... more...

CHAPTER I A MYSTERIOUS VISITATION "Who's there?" demanded Christy Passford, sitting up in his bed, in the middle of the night, in his room on the second floor of his father's palatial mansion on the Hudson, where the young lieutenant was waiting for a passage to the Gulf. There was no answer to his inquiry. "Who's there?" he repeated in a louder tone. All was as still as... more...

Benvenuto Cellini tells us that when, in his boyhood, he saw a salamander come out of the fire, his grandfather forthwith gave him a sound beating, that he might the better remember so unique a prodigy. Though perhaps in this case the rod had another application than the autobiographer chooses to disclose, and was intended to fix in the pupil's mind a lesson of veracity rather than of science, the... more...

INTRODUCTION HOW WE CAME INTO THE GARDEN It was by a strange irony of Fate that we found ourselves reunited for a summer's outing, in a French garden, in July, 1914. With the exception of the Youngster, we had hardly met since the days of our youth. We were a party of unattached people, six men, two women, your humble servant, and the Youngster, who was an outsider. With the exception of the... more...