Drama Books

INTRODUCTION THE greatest of English dramatists except Shakespeare, the first literary dictator and poet-laureate, a writer of verse, prose, satire, and criticism who most potently of all the men of his time affected the subsequent course of English letters: such was Ben Jonson, and as such his strong personality assumes an interest to us almost unparalleled, at least in his age. Ben Jonson came of the... more...

ACT I The scene is the managing clerk's room, at the offices of Jamesand Walter How, on a July morning. The room is old fashioned,furnished with well-worn mahogany and leather, and lined withtin boxes and estate plans. It has three doors. Two of themare close together in the centre of a wall. One of these twodoors leads to the outer office, which is only divided from themanaging clerk's room... more...

JAMES NELSON BARKER (1784-1858) In a letter written to William Dunlap, from Philadelphia, on June 10, 1832, James Nelson Barker very naïvely and very fully outlined his career, inasmuch as he had been informed by Manager Wood that Mr. Dunlap wished such an account for his "History of the American Stage." From this account, we learn that whatever dramatic ability Mr. Barker possessed came from... more...

INTRODUCTION The City Bride, by Joseph Harris, is of special interest as the only adaptation from the canon of John Webster to have come upon the stage in the Restoration. Nahum Tate’s Injur’d Love: or, The Cruel Husband is an adaptation of The White Devil, but it was never acted and was not printed until 1707. The City Bride is taken from A Cure for a Cuckold, in which William Rowley and perhaps... more...

INTRODUCTION By craftsmen and mean men, these pageants are played,And to commons and countrymen accustomably before:If better men and finer heads now come, what can be said? The pageants of the old English town-guilds, and the other mysteries and interludes that follow, have still an uncommon reality about them if we take them in the spirit in which they were originally acted. Their office as the... more...

SCENE I.——VALÈRE, SABINE. Val. Well, Sabine, what do you advise me to do? Sab. I have really much to tell you. My uncle is bent upon marrying my cousin to Villebrequin, and things have gone so far, that I believe the wedding would have taken place to-day if you were not loved by her. However, as my cousin told me the secret of all the love she feels for you, and as we were almost driven to... more...

ACT IV SCENE I.   Cyprus.  Before the Castle. [Enter Othello and Iago.]IAGOWill you think so? OTHELLO                              Think so, Iago? IAGO                                                         What,To kiss in private? OTHELLO                               An unauthoriz'd... more...

ACTORS' DESCRIPTION OF CHARACTERS Margaret Chalmers. Twenty-seven years of age; a strong, mature woman, but quite feminine where her heart or sense of beauty are concerned. Her eyes are wide apart. Has a dazzling smile, which she knows how to use on occasion. Also, on occasion, she can be firm and hard, even cynical An intellectual woman, and at the same time a very womanly woman, capable of... more...

INTRODUCTION ANTON TCHEKOFF THE last years of the nineteenth century were for Russia tinged with doubt and gloom. The high-tide of vitality that had risen during the Turkish war ebbed in the early eighties, leaving behind it a dead level of apathy which lasted until life was again quickened by the high interests of the Revolution. During these grey years the lonely country and stagnant provincial towns... more...

ACT I SCENE FIRST (Setting is an attic and workshop of an artificial flower-maker. It ispoorly lighted by means of a candle placed on the work-table. Theceiling slopes abruptly at the back allowing space to conceal a man.On the right is a door, on the left a fireplace. Pamela is discoveredat work, and Joseph Binet is seated near her.) Pamela, Joseph Binet and later Jules Rousseau. PamelaMonsieur Joseph... more...