Continental European Books

ACT I A country house on a terrace. In front of it a garden. In an avenue of trees, under an old poplar, stands a table set for tea, with a samovar, etc. Some benches and chairs stand near the table. On one of them is lying a guitar. A hammock is swung near the table. It is three o'clock in the afternoon of a cloudy day. MARINA, a quiet, grey-haired, little old woman, is sitting at the table... more...

THE LADY FROM THE SEA ACT I (SCENE.—DOCTOR WANGEL'S house, with a large verandah garden in front of and around the house. Under the verandah a flagstaff. In the garden an arbour, with table and chairs. Hedge, with small gate at the back. Beyond, a road along the seashore. An avenue of trees along the road. Between the trees are seen the fjord, high mountain ranges and peaks. A warm and... more...

INTRODUCTION THOMAS DEKKER Thomas Dekker is believed to have been born in London around 1572, but nothing is known for certain about his youth. He embarked on a career as a theatre writer early in his adult life, the first extant text of his work being 'Old Fortunatus' written around 1596, although there are plays connected with his name which were performed as early as 1594. The period from... more...

ACT I Scene 1 The scene represents the verandah of a fine country-house, in front of which a croquet-lawn and tennis-court are shown, also a flower-bed. The children are playing croquet with their governess. Mary Ivánovna Sarýntsova, a handsome elegant woman of forty; her sister, Alexándra Ivánovna Kóhovtseva, a stupid, determined woman of forty-five; and her husband, Peter Semyónovich , a fat... more...

ACT I. (SCENE.--A spacious garden-room in the BERNICKS' house. In the foreground on the left is a door leading to BERNICK'S business room; farther back in the same wall, a similar door. In the middle of the opposite wall is a large entrance-door, which leads to the street. The wall in the background is almost wholly composed of plate-glass; a door in it opens upon a broad flight of steps... more...

PREFACE We are confronted at the present time by the woman who is anxious to lay by means for her own support irrespective of the protection of her husband. In this play I have indicated the tendency of this difficulty and the consequent troubles which the older civilizations will bring upon themselves when the woman's standing as a worker is generally acknowledged. My conclusion, namely, that all... more...

ACT I The scene is laid in the park on SORIN'S estate. A broad avenue of trees leads away from the audience toward a lake which lies lost in the depths of the park. The avenue is obstructed by a rough stage, temporarily erected for the performance of amateur theatricals, and which screens the lake from view. There is a dense growth of bushes to the left and right of the stage. A few chairs and a... more...

INTRODUCTION For the last twenty years Leonid Andreyev and Maxim Gorky have by turns occupied the centre of the stage of Russian literature. Prophetic vision is no longer required for an estimate of their permanent contribution to the intellectual and literary development of Russia. It represents the highest ideal expression of a period in Russian history that was pregnant with stirring and... more...

INTRODUCTION The Inspector-General is a national institution. To place a purely literary valuation upon it and call it the greatest of Russian comedies would not convey the significance of its position either in Russian literature or in Russian life itself. There is no other single work in the modern literature of any language that carries with it the wealth of associations which the Inspector-General... more...

SCENE I.——VALÈRE, SABINE. Val. Well, Sabine, what do you advise me to do? Sab. I have really much to tell you. My uncle is bent upon marrying my cousin to Villebrequin, and things have gone so far, that I believe the wedding would have taken place to-day if you were not loved by her. However, as my cousin told me the secret of all the love she feels for you, and as we were almost driven to... more...