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PREFACE "Of making many books there is no end."—Eccles. 12:12. When the above words were written by Solomon, King of Israel, about three thousand years ago, they were possibly inspired by the existence even at that early period of an extensive and probably overweighted literature. The same literary conditions are as true to-day as when the above truism emanated from that most wonderful of all...
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A FOREWORD Children, as well as their interested parents, will eagerly welcome this beautiful edition of the one great nursery classic, just as a worthy edition of Shakespeare is welcomed by discriminating adult readers.But some may ask what there is in these simple melodies, attributed to Mother Goose, which gives them so secure and beloved a place in the home, the school and the public library. Is it...
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by:
Bliss Carman
JONGLEURS. What is the stir in the street?Hurry of feet!And after,A sound as of pipes and of tabers! Men of the conflicts and labors,Struggling and shifting and shoving,Pushing and pounding your neighbors,Fighting for leeway for laughter,Toiling for leisure for loving!Hark, through the window and up to the rafter,Madder and merrier,Deeper and verier,Sweeter, contrarier,Dafter and dafter,A song...
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by:
Hilaire Belloc
Lord Roehampton During a late election LordRoehampton strained a vocal chordFrom shouting, very loud and high,To lots and lots of people whyThe Budget in his own opin--Ion should not be allowed to win. He sought a Specialist, who said:"You have a swelling in the head:Your Larynx is a thought relaxedAnd you are greatly over-taxed." "I am indeed! On every side!"The Earl (for such he was)...
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by:
Ruth Cobb
Saint Nicholas. Saint Nicholas brings presentsFor little girls and boys;Saint Nicholas brings dozensOf all the nicest toys. Hang out your biggest stockingBefore you go to sleep;But if you hear him coming,You mustn't even peep. Saint Nicholas. The Sea-side Doll. There's one doll for winter,When ice comes and snow;Another for spring time,When primroses grow. A dolly for dark nights,To take into...
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by:
Norman Gale
OILING. (A Song In and Out of Season.) Excuse me, Sweetheart, if I smear,With wisdom learnt from ancient teachers,Now winter time once more is here,This grease upon your lengthy features!Behaving thus, your loyal friendNo whit encourages deception:Believe me, Fairest, in the endThis oil will better your complexion.Fairest, believe! Did you imagine in the bagTo sleep the sleep of Rip Van Winkle,Removed...
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by:
Thomas Hardy
AN UPBRAIDING Now I am dead you sing to me The songs we used to know,But while I lived you had no wish Or care for doing so. Now I am dead you come to me In the moonlight, comfortless;Ah, what would I have given alive To win such tenderness! When you are dead, and stand to me Not differenced, as now,But like again, will you be cold As when we lived, or how? "These...
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by:
William Bell
INTRODUCTION. Few poems have been more variously designated than Comus. Milton himself describes it simply as “A Mask”; by others it has been criticised and estimated as a lyrical drama, a drama in the epic style, a lyric poem in the form of a play, a phantasy, an allegory, a philosophical poem, a suite of speeches or majestic soliloquies, and even a didactic poem. Such variety in the description...
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by:
Amy Lowell
This is a book of stories. For that reason I have excluded all purely lyrical poems. But the word "stories" has been stretched to its fullest application. It includes both narrative poems, properly so called; tales divided into scenes; and a few pieces of less obvious story-telling import in which one might say that the dramatis personae are air, clouds, trees, houses, streets, and such like...
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Robert Browning
INTRODUCTION Thirteen years after the publication, in 1855, of the Poems, in two volumes, entitled "Men and Women," Browning reviewed his work and made an interesting reclassification of it. He separated the simpler pieces of a lyric or epic cast—such rhymed presentations of an emotional moment, for example, as "Mesmerism" and "A Woman's Last Word," or the picturesque...
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