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YULE TIDE. TheRoyal Birthday dawns again,A stricken world to bless;And sufferers forget their pain,And mourners their distress. Love sings to-day; her eyes so fairWith happy tears are wet;She is too humble to despair,Too faithful to forget. Her voice is very soft and sweet,Her heart is brave and strong;Her vassal, I would fain repeatSome fragments of her song. A Birthday-song my heart would singIts... more...

PARADISE Canto 1 - 33 CANTO I His glory, by whose might all things are mov'd,Pierces the universe, and in one partSheds more resplendence, elsewhere less. In heav'n,That largeliest of his light partakes, was I,Witness of things, which to relate againSurpasseth power of him who comes from thence;For that, so near approaching its desireOur intellect is to such depth absorb'd,That memory... more...

I I thought once how Theocritus had sungOf the sweet years, the dear and wished-for years,Who each one in a gracious hand appearsTo bear a gift for mortals, old or young:And, as I mused it in his antique tongue,I saw, in gradual vision through my tears,The sweet, sad years, the melancholy years,Those of my own life, who by turns had flungA shadow across me.  Straightway I was ’ware,So weeping, how a... more...

MYSTERY OF CARMEL The Mission floor was with weeds o'ergrown,And crumbling and shaky its walls of stone;Its roof of tiles, in tiers and tiers,Had stood the storms of a hundred years.An olden, weird, medieval styleClung to the mouldering, gloomy pile,And the rhythmic voice of the breaking wavesSang a lonesome dirge in its land of graves.As I walked in the Mission old and gray—The Mission Carmel... more...

POEMS OF THE FIRST PERIOD. HECTOR AND ANDROMACHE. [This and the following poem are, with some alterations, introducedin the Play of "The Robbers."] ANDROMACHE.Will Hector leave me for the fatal plain,Where, fierce with vengeance for Patroclus slain,Stalks Peleus' ruthless son?Who, when thou glid'st amid the dark abodes,To hurl the spear and to revere the gods,Shall teach thine orphan... more...

A for Arab.This Arab is upset, I fear;Look at his pretty shield and spear.He's stuck two pistols in his sash,And, dear me, how his eyes do flash!At home he has a horse to ride;To "scour the desert" is his pride.His horse is of the purest breed;Some people call his horse a steed.Here is your little brother Boer,Of course, you've heard of him before;He has a naughty Uncle Paul,Who used... more...

CANTO V FROM the first circle I descended thusDown to the second, which, a lesser spaceEmbracing, so much more of grief containsProvoking bitter moans.  There, Minos standsGrinning with ghastly feature: he, of allWho enter, strict examining the crimes, Gives sentence, and dismisses them beneath,According as he foldeth him around:For when before him comes th' ill fated soul,It all confesses; and... more...

CANTO I His glory, by whose might all things are mov'd,Pierces the universe, and in one partSheds more resplendence, elsewhere less.  In heav'n,That largeliest of his light partakes, was I,Witness of things, which to relate againSurpasseth power of him who comes from thence;For that, so near approaching its desireOur intellect is to such depth absorb'd,That memory cannot follow.... more...

OPENING THE WINDOW THUS I lift the sash, so longShut against the flight of song;All too late for vain excuse,—Lo, my captive rhymes are loose. Rhymes that, flitting through my brain,Beat against my window-pane,Some with gayly colored wings,Some, alas! with venomed stings. Shall they bask in sunny rays?Shall they feed on sugared praise?Shall they stick with tangled feetOn the critic's poisoned... more...

INTRODUCTION Thirteen years after the publication, in 1855, of the Poems, in two volumes, entitled "Men and Women," Browning reviewed his work and made an interesting reclassification of it. He separated the simpler pieces of a lyric or epic cast—such rhymed presentations of an emotional moment, for example, as "Mesmerism" and "A Woman's Last Word," or the picturesque... more...