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BEING A WORD ON BEHALF OF PATCHOULI. AN ingenuous reviewer once described some verses of mine as "unwholesome," because, he said, they had "a faint smell of Patchouli about them." I am a little sorry he chose Patchouli, for that is not a particularly favourite scent with me. If he had only chosen Peau d'Espagne, which has a subtle meaning, or Lily of the Valley, with which I have... more...

SIGNELIL The Lady her handmaid to questioning took:“Why dost thou so sickly and colourless look?”   But sorrow gnaws so sorely! “’Tis little wonder if sickly I’m growing,   Malfred my lady!So much am I busied with cutting and sewing.” “Erewhile was thy cheek as the blooming rose red,But now thou art pale, even pale as the dead.” “To conceal the truth longer ’tis vain to essay,My... more...

WOODEN SHIPSThey are remembering forests where they grew,—The midnight quiet, and the giant dance;And all the murmuring summers that they knewAre haunting still their altered circumstance.Leaves they have lost, and robins in the nest,Tug of the goodly earth denied to ships,These, and the rooted certainties, and rest,—To gain a watery girdle at the hips.Only the wind that follows ever aft,They greet... more...

The Tongues of ToilDo you hear the call from a hundred lands.Lords of a dying name?We are the men of sinewed handsWhom the earth and the seas acclaim.We are the hoards that made you lords.And gathered your gear and spoil.And we speak with a word that should be heard—Hark to the tongues of toil! The power of your hands it falls at last,The strength of your rule is o'er,Where the might of a... more...

Many editions of Gray have been published in the last fifty years, some of them very elegant, and some showing considerable editorial labor, but not one, so far as I am aware, critically exact either in text or in notes. No editor since Mathias ( 1814) has given the 2d line of the Elegy as Gray wrote and printed it; while Mathias's mispunctuation of the 123d line has been copied by his successors,... more...

SPRING To what purpose, April, do you return again?Beauty is not enough.You can no longer quiet me with the rednessOf little leaves opening stickily.I know what I know.The sun is hot on my neck as I observeThe spikes of the crocus.The smell of the earth is good.It is apparent that there is no death.But what does that signify?Not only under ground are the brains of menEaten by maggots,Life in itselfIs... more...

SEA GARDEN SEA ROSERose, harsh rose,marred and with stint of petals,meagre flower, thin,sparse of leaf,more preciousthan a wet rosesingle on a stem—you are caught in the drift.Stunted, with small leaf,you are flung on the sand,you are liftedin the crisp sandthat drives in the wind.Can the spice-rosedrip such acrid fragrancehardened in a leaf? O be swift—we have always known you wanted us.We fled... more...

SYMBOLISMTongueless the bell!Lute without a song!It is not nightIt is God's dawn,Silence its unending song.Over heart's valley,In the soul's night,Through pain's windowBehold! His light!On Life's Height.No prayer, now,Though death-waves roll,Faith's candle lit,Beside it sits the soulReading Eternity's scroll. SOURCE OF SINGINGA bruised heart,A wounded soul,A broken... more...

THE BATTLE OF THE PONS TRIUM TROJANORUM: A lay sung in the Temple of Minerva Girtanensis. [NOTE.—On Thursday, February 24th, 1881, three Graces were submitted to the Senate of the University of Cambridge, confirming the Report of The Syndicate appointed June 3rd, 1880, to consider four memorials relating to the Higher Education of Women. The first two Graces were passed by majorities of 398 and 258... more...

Difficulties—Consent. 'Night will come on; when seated snug,'And you've perhaps begun some tale,'Can you then leave your dear stone mug;'Leave all the folks, and all the Ale?' 'Ay, Kate, I wool;—because I know,'Though time has been we both could run,'Such days are gone and over now;—'I only mean to see the fun.' She straight slipp'd off... more...