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CANTO I His glory, by whose might all things are mov'd,Pierces the universe, and in one partSheds more resplendence, elsewhere less. In heav'n,That largeliest of his light partakes, was I,Witness of things, which to relate againSurpasseth power of him who comes from thence;For that, so near approaching its desireOur intellect is to such depth absorb'd,That memory cannot follow....
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Rudyard Kipling
Danny Deever "What are the bugles blowin' for?" said Files-on-Parade."To turn you out, to turn you out", the Colour-Sergeant said."What makes you look so white, so white?" said Files-on-Parade."I'm dreadin' what I've got to watch", the Colour-Sergeant said.For they're hangin' Danny Deever, you can hear the Dead March play,The regiment's...
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Lyman Abbott
AN INTERPRETER OF LIFE. Poetry, music, and painting are three correlated arts, connected not merely by an accidental classification, but by their intrinsic nature. For they all possess the same essential function, namely, to interpret the uninterpretable, to reveal the undiscoverable, to express the inexpressible. They all attempt, in different forms and through different languages, to translate the...
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SONG FOR THE CENTENARY OF WALTER SAVAGE LANDOR. 1. Five years beyond an hundred years have seenTheir winters, white as faith's and age's hue,Melt, smiling through brief tears that broke between,And hope's young conquering colours reared anew,Since, on the day whose edge for kings made keenSmote sharper once than ever storm-wind blew,A head predestined for the girdling greenThat laughs at...
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Kenneth Hartley
The Hill People.Their steps are light and exceedingly fleet:They pass me by in the hurrying street.I pause to look at a window’s show—From the white-flecked alp the hill winds blow—And all at once it has passed me there,Lilting back to the land of the air,Back to the land of the great white stills:Is it only the wind that comes down from the hills?———Was it Pikes Peak Pixie or Cheyenne...
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High Noon Time's finger on the dial of my lifePoints to high noon! and yet the half-spent dayLeaves less than half remaining, for the dark,Bleak shadows of the grave engulf the end. To those who burn the candle to the stick,The sputtering socket yields but little light.Long life is sadder than an early death.We cannot count on raveled threads of ageWhereof to weave a fabric. We must useThe warp...
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CANTO III "THROUGH me you pass into the city of woe:Through me you pass into eternal pain:Through me among the people lost for aye.Justice the founder of my fabric mov'd:To rear me was the task of power divine,Supremest wisdom, and primeval love.Before me things create were none, save thingsEternal, and eternal I endure. "All hope abandon ye who enter here." Such characters in colour...
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Laura Chandler
A JOLLY BOOK How can they put in black and whiteWhat little children think at night,When lights are out and prayers are said,And you are all tucked up in bed? Such funny dreams go dancing throughYour head, of things nobody knew,Or saw, or ever half believes!—They're all inside these singing leaves. And little children laugh and goA-ring-a-round-a-rosy-O;And birds sing gay—you'd almost...
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Thomas Hardy
AN UPBRAIDING Now I am dead you sing to me The songs we used to know,But while I lived you had no wish Or care for doing so. Now I am dead you come to me In the moonlight, comfortless;Ah, what would I have given alive To win such tenderness! When you are dead, and stand to me Not differenced, as now,But like again, will you be cold As when we lived, or how? "These...
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Thomas Moore
THOMAS MOORE Thomas Moore was born in Dublin on the 28th of May 1780. Both his parents were Roman-Catholics; and he was, as a matter of course, brought up in the same religion, and adhered to it—not perhaps with any extreme zeal—throughout his life. His father was a decent tradesman, a grocer and spirit-retailer—or "spirit-grocer," as the business is termed in Ireland. Thomas received his...
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