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[213] THE "aesthetic" poetry is neither a mere reproduction of Greek or medieval poetry, nor only an idealisation of modern life and sentiment. The atmosphere on which its effect depends belongs to no simple form of poetry, no actual form of life. Greek poetry, medieval or modern poetry, projects, above the realities of its time, a world in which the forms of things are transfigured. Of that... more...

HIS DREAM I swayed upon the gaudy stern The butt end of a steering oar, And everywhere that I could turn Men ran upon the shore. And though I would have hushed the crowd There was no mother’s son but said, “What is the figure in a shroud Upon a gaudy bed?” And fishes bubbling to the brim Cried out upon that thing beneath, It had such dignity of limb, By the sweet name of Death. Though I’d my... more...

PROEM.    ‘Many speak wisely, some inerrably:Witness the beast who talk’d that should have bray’d,And Caiaphas that saidExpedient ’twas for all that One should die;But what availsWhen Love’s right accent from their wisdom fails,And the Truth-criers know not what they cry!Say, wherefore thou,As under bondage of some bitter vow,Warblest no word,When all the rest are shouting to be heard?Why... more...

I.  FROM FREDERICK GRAHAM. Mother, I smile at your alarms!I own, indeed, my Cousin’s charms,But, like all nursery maladies,Love is not badly taken twice.Have you forgotten Charlotte Hayes,My playmate in the pleasant daysAt Knatchley, and her sister, Anne,The twins, so made on the same plan,That one wore blue, the other white,To mark them to their father’s sight;And how, at Knatchley harvesting,You... more...

INTRODUCTION In an address to the American Society for Eighteenth Century Studies at the 1983 annual meeting, Roger Lonsdale suggested that our knowledge of eighteenth-century poetry has depended heavily on what our anthologies have decided to print. For the most part modern anthologies have, in turn, drawn on collections put together at the end of the eighteenth century and the beginning of the next,... more...

POET LAUREATE. This book in its progress has recalled often to my memory a man with whose friendship we were once honoured, to whom no region of English literature was unfamiliar, and who, whilst rich in all the noble gifts of nature, was most eminently distinguished by the noblest and the rarest,—just judgment and high-hearted patriotism. It would have been hence a peculiar pleasure and pride to... more...

There was an Old Man with a nose,Who said, "If you choose to supposeThat my nose is too long, you are certainly wrong!"That remarkable Man with a nose. There was a Young Person of Smyrna,Whose Grandmother threatened to burn her;But she seized on the Cat, and said, "Granny, burn that!You incongruous Old Woman of Smyrna!" There was an Old Man on a hill,Who seldom, if ever, stood still;He... more...

Queen Summeror the Tourneyof the Lily & the Rosepenned & portrayedby Walter Crane When Summer on the earth was queenShe held her court in gardens greenFair hung with tapestry of leaves,Where threads of gold the sun enweavesWith checquered patterns on the floorOf velvet lawns the scythe smoothes o’er:Their waving fans the soft winds spreadEach way to cool Queen Summer’s head:The woodland... more...

ADVERTISEMENT. My Booksellers inform’d me, lately, that several inquiries had been made for ,—but that every copy had been sold;—they had been out of print these two years.—“Then publish them again,” said I, boldly,—(I print at my own risk)—and with an air of triumph. Messrs. Cadell and Davies advise’d me to make additions.—“The is, really, too short,” said Messrs. Cadell and... more...

“Arms and the man” was Virgil’s strain; But we propose in lighter vein To browse a crop from pastures (Green’s) Of England’s Evolution scenes. Who would from facts prognosticate The future progress of this State, Must own the chiefest fact to be Her escalator is the Sea.   HISTORIANS erudite and sage, When writing of the past stone age, Tell us man once was clothed in skins And tattooed... more...