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Preface Robert Burns was born near Ayr, Scotland, 25th of January, 1759. He was the son of William Burnes, or Burness, at the time of the poet's birth a nurseryman on the banks of the Doon in Ayrshire. His father, though always extremely poor, attempted to give his children a fair education, and Robert, who was the eldest, went to school for three years in a neighboring village, and later, for... more...

ANONYMOUS.1.Madrigal.Love not me for comely grace,For my pleasing eye or face;Nor for any outward part,No, nor for my constant heart:For those may fail or turn to ill,So thou and I shall sever:Keep therefore a true woman's eye,And love me still, but know not why;So hast thou the same reason stillTo doat upon me ever. 2.The Forsaken Merman.Come, dear children, let us away;Down and away below.Now my... more...

INTRODUCTION TOTHE FIRST AND SECOND CANTOS OF CHILDE HAROLD. The First Canto of Childe Harold was begun at Janina, in Albania, October 31, 1809, and the Second Canto was finished at Smyrna, March 28, 1810. The dates were duly recorded on the MS.; but in none of the letters which Byron wrote to his mother and his friends from the East does he mention or allude to the composition or existence of such a... more...

LIFE OF KEATS Of all the great poets of the early nineteenth century—Wordsworth, Coleridge, Scott, Byron, Shelley, Keats—John Keats was the last born and the first to die. The length of his life was not one-third that of Wordsworth, who was born twenty-five years before him and outlived him by twenty-nine. Yet before his tragic death at twenty-six Keats had produced a body of poetry of such... more...

This is Fairy's Album.This is Fairy, bright as Spring,Loving every living thingWith a love so sweet and true,That all creatures love her too!This is Fairy, bright as Spring,In Fairy's Album. This is Fairy, wondrous wise,Sunshine laughing in her eyes,Who will prattle on for hoursTo the brooks and trees and flowers,To the birds and butterflies,To all creatures 'neath the... more...

AT THE FOOT OF HEMLOCK MOUNTAIN "In connection with this phase of the problem of transportation it must be remembered that the rush of population to the great cities was no temporary movement. It is caused by a final revolt against that malignant relic of the dark ages, the country village and by a healthy craving for the deep, full life of the metropolis, for contact with the vitalizing stream of... more...

[213] THE "aesthetic" poetry is neither a mere reproduction of Greek or medieval poetry, nor only an idealisation of modern life and sentiment. The atmosphere on which its effect depends belongs to no simple form of poetry, no actual form of life. Greek poetry, medieval or modern poetry, projects, above the realities of its time, a world in which the forms of things are transfigured. Of that... more...

HIS DREAM I swayed upon the gaudy stern The butt end of a steering oar, And everywhere that I could turn Men ran upon the shore. And though I would have hushed the crowd There was no mother’s son but said, “What is the figure in a shroud Upon a gaudy bed?” And fishes bubbling to the brim Cried out upon that thing beneath, It had such dignity of limb, By the sweet name of Death. Though I’d my... more...

PROEM.    ‘Many speak wisely, some inerrably:Witness the beast who talk’d that should have bray’d,And Caiaphas that saidExpedient ’twas for all that One should die;But what availsWhen Love’s right accent from their wisdom fails,And the Truth-criers know not what they cry!Say, wherefore thou,As under bondage of some bitter vow,Warblest no word,When all the rest are shouting to be heard?Why... more...

INTRODUCTION In an address to the American Society for Eighteenth Century Studies at the 1983 annual meeting, Roger Lonsdale suggested that our knowledge of eighteenth-century poetry has depended heavily on what our anthologies have decided to print. For the most part modern anthologies have, in turn, drawn on collections put together at the end of the eighteenth century and the beginning of the next,... more...