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George R. Guffey
INTRODUCTION For modern readers, one of the most intriguing scenes in Daniel Defoe's Moll Flanders (1722) occurs during the courtship of Moll by the man who is to become her third husband. Aware that the eligible men of her day have little interest in prospective wives with small or nonexistent fortunes, Moll slyly devises a plan to keep her relative poverty a secret from the charming and (as she...
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INTRODUCTION In an address to the American Society for Eighteenth Century Studies at the 1983 annual meeting, Roger Lonsdale suggested that our knowledge of eighteenth-century poetry has depended heavily on what our anthologies have decided to print. For the most part modern anthologies have, in turn, drawn on collections put together at the end of the eighteenth century and the beginning of the next,...
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Warning to the Public THE LOVING BALLAD OF LORD BATEMAN. In some collection of old English Ballads there is an ancient ditty which I am told bears some remote and distant resemblance to the following Epic Poem. I beg to quote the emphatic language of my estimable friend (if he will allow me to call him so), the Black Bear in Piccadilly, and to assure all to whom these presents may come, that "I am...
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THE KING’S WAKE To-night is the night that the wake they hold,To the wake repair both young and old. Proud Signelil she her mother address’d:“May I go watch along with the rest?” “O what at the wake wouldst do my dear?Thou’st neither sister nor brother there. “Nor brother-in-law to protect thy youth,To the wake thou must not go forsooth. “There be the King and his warriors gay,If me...
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by:
Anonymous
¶ Here entreth Welth, and Helth Ðâ¦ÐÑynging togethera balet of two partes, and after Ðâ¦ÐÑpeakethWelth. Why is there no curteÐâ¦ÐÑy, now I am comeI tcowe that all the people be dumeOr els Ðâ¦ÐÑo god helpe me and halydumThey were almost a fleepe.No wordes I harde, nor yet no talkingNo inÐâ¦ÐÑtrument went nor ballattes...
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ANONYMOUS.1.Madrigal.Love not me for comely grace,For my pleasing eye or face;Nor for any outward part,No, nor for my constant heart:For those may fail or turn to ill,So thou and I shall sever:Keep therefore a true woman's eye,And love me still, but know not why;So hast thou the same reason stillTo doat upon me ever. 2.The Forsaken Merman.Come, dear children, let us away;Down and away below.Now my...
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INTRODUCTORY SONNET A Sonnet is a moment's monument,— Memorial from the Soul's eternity To one dead deathless hour. Look that it be, Whether for lustral rite or dire portent, Of its own arduous fulness reverent: Carve it in ivory or in ebony, As Day or Night may rule; and let Time see Its flowering crest impearled and orient. A Sonnet is a coin: its face...
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by:
Stella Langdale
The Rev. Mark J. McNeal, S. J., who was one of the successors of Lafcadio Hearn in the chair of English Literature at the Tokyo Imperial University, in an interesting article recounts the following incident of his experience in that institution. "I was seated on the examining board with Professor Ichikawa, the dean of the English department... There entered the room a student whom I recognized as...
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BALLADE OF THE PRIMITIVE JEST "What did the dark-haired Iberian laugh at before the tall blondeAryan drove him into the corners of Europe?"—Brander Matthews I am an ancient Jest!Palaeolithic manIn his arboreal nestThe sparks of fun would fan;My outline did he plan,And laughed like one possessed,'Twas thus my course began,I am a Merry Jest! I am an early Jest!Man delved, and built, and...
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POEMS OF NATURE The world is too much with us; late and soon,Getting and spending, we lay waste our powers:Little we see in Nature that is ours;We have given our hearts away, a sordid boon!This sea that bares her bosom to the moon,The winds that will be howling at all hours,And are up-gathered now like sleeping flowers;For this, for everything, we are out of tune;It moves us not.—Great God! I'd...
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