Our website is made possible by displaying online advertisements to our visitors.
Please consider supporting us by disabling your ad blocker.

Download links will be available after you disable the ad blocker and reload the page.
Showing: 11-20 results of 41

The scene of the Epic is the ancient kingdom of the Kurus which flourished along the upper course of the Ganges; and the historical fact on which the Epic is based is a great war which took place between the Kurus and a neighbouring tribe, the Panchalas, in the thirteenth or fourteenth century before Christ. According to the Epic, Pandu and Dhrita-rashtra, who was born blind, were brothers. Pandu died early, and Dhrita-rashtra became king of the... more...

INTRODUCTION It has long been the opinion of many of the more progressive teachers of the United States that, next to Herakles, Odysseus is the hero closest to child-life, and that the stories from the "Odyssey" are the most suitable for reading-lessons. These conclusions have been reached through independent experiments not related to educational work in foreign countries. While sojourning in Athens I had the pleasure of visiting the best... more...

This work is a continuation of the "Orlando Innamorato" of Matteo Maria Boiardo, which was left unfinished upon the author's death in 1494. It begins more or less at the point where Boiardo left it. This is a brief synopsis of Boiardo's work, omitting most of the numerous digressions and incidental episodes associated with these events: To the court of King Charlemagne comes Angelica (daughter to the king of Cathay, or India) and her brother... more...

THE FIRST BOOK   I, WHO erewhile the happy Garden sung  By one man's disobedience lost, now sing  Recovered Paradise to all mankind,  By one man's firm obedience fully tried  Through all temptation, and the Tempter foiled  In all his wiles, defeated and repulsed,  And Eden raised in the waste Wilderness.    Thou Spirit, who led'st this glorious... more...

by Lucan
BOOK I THE CROSSING OF THE RUBICON Wars worse than civil on Emathian (1) plains,And crime let loose we sing; how Rome's high racePlunged in her vitals her victorious sword;Armies akin embattled, with the forceOf all the shaken earth bent on the fray;And burst asunder, to the common guilt,A kingdom's compact; eagle with eagle met,Standard to standard, spear opposed to spear. Whence, citizens, this rage, this boundless lustTo sate barbarians... more...


INTRODUCTION The impersonal character of the Homeric poems has left us entirely in the dark as to the birthplace, the history, and the date, of their author. So complete is the darkness which surrounds the name of Homer that his very existence has been disputed, and his works have been declared to be an ingenious compilation, drawn from the productions of a multitude of singers. It is not my intention here to enter into the endless and barren... more...

by Virgil
BOOK I Arms, and the man I sing, who, forc'd by fate,And haughty Juno's unrelenting hate,Expell'd and exil'd, left the Trojan shore.Long labors, both by sea and land, he bore,And in the doubtful war, before he wonThe Latian realm, and built the destin'd town;His banish'd gods restor'd to rites divine,And settled sure succession in his line,From whence the race of Alban fathers come,And the long glories of majestic Rome. O Muse! the causes and... more...

BOOK FIRST THE COMING OF AENEAS TO CARTHAGE I sing of arms and the man who of old from the coasts of Troy came, an exile of fate, to Italy and the shore of Lavinium; hard driven on land and on the deep by the violence of heaven, for cruel Juno's unforgetful anger, and hard bestead in war also, ere he might found a city and carry his gods into Latium; from whom is the Latin race, the lords of Alba, and the stately city Rome. Muse, tell me why,... more...

P. DUJARDIN Here foloweth the Interpretacoin of the namesof goddes and goddesses as is rehercedin this tretyse folowynge as Poetes wryte   ¶ Phebus is as moche to saye as the Sonne. ¶ Apollo is the same or elles God of syght. ¶ Morpleus                      Shewer of dremis ¶ Pluto God of hell.... more...

INTRODUCTION Every now and then in our reading we come suddenly face to face with first things,—the very elemental sources beyond which no man may go. There is a distinct satisfaction in dealing with such beginnings, and, when they are those of literature, the sense of freshness is nothing short of inspiring. To share the same lofty outlook, to breathe the same high air with those who first sensed a whole era of creative thoughts, is the... more...