Poetry Books

A WINTER DAY. The cock, warm roosting 'midst his feather'd dames,Now lifts his beak and snuffs the morning air,Stretches his neck and claps his heavy wings,Gives three hoarse crows, and glad his talk is done;Low, chuckling, turns himself upon the roost,Then nestles down again amongst his mates.The lab'ring hind, who on his bed of straw,Beneath his home-made coverings, coarse, but... more...

THREE HEAVY HUSBANDS I He had a high nose. He looked at one over the collar, so to speak. His regard was very assured, and his speech was that short bundle of monosyllables which the subaltern throws at the orderly. He had never been questioned, and, the precedent being absent, he had never questioned himself. Why should he? We live by question and answer, but we do not know the reply to anything until... more...

FOREWORD The reader of this booklet is not expected to agree with everything in it. The rhymes express only the impressions made on the writer at the time by the varied incidents and conditions arising out of the great war, and some of them did not apply when circumstances changed. They have been printed as written, however, and, if they serve no other purpose, may at least help us to recall some... more...

PART I. Marsk Stig he out of the country rode   To win him fame with his good bright sword;At home meantide the King will bide   In hope to lure his heart’s ador’d. The King sends word to the Marshal Stig   That he to the fields of war should fare;Himself will deign at home to remain   And take the charge of his Lady fair. In came the Marshal’s serving man,   And a kirtle of green that... more...

INTRODUCTION Michael Drayton was born in 1563, at Hartshill, near Atherstone, in Warwickshire, where a cottage, said to have been his, is still shown. He early became a page to Sir Henry Goodere, at Polesworth Hall: his own words give the best picture of his early years here. His education would seem to have been good, but ordinary; and it is very doubtful if he ever went to a university. Besides the... more...

EDINBURGH: WILLIAM PATERSON LONDON: HENRY SOTHERAN & CO. MDCCCLXXIV. It is necessary to explain that in the present edition of the Ship of Fools, with a view to both philological and bibliographical interests, the text, even to the punctuation, has been printed exactly as it stands in the earlier impression (Pynson's), the authenticity of which Barclay himself thus vouches for in a deprecatory... more...

AN INTERPRETER OF LIFE. Poetry, music, and painting are three correlated arts, connected not merely by an accidental classification, but by their intrinsic nature. For they all possess the same essential function, namely, to interpret the uninterpretable, to reveal the undiscoverable, to express the inexpressible. They all attempt, in different forms and through different languages, to translate the... more...

CROWS.THEY stream across the fading western skyA sable cloud, far o'er the lonely leas;Now parting into scattered companies,Now closing up the broken ranks, still highAnd higher yet they mount, while, carelessly,Trail slow behind, athwart the moving treesA lingering few, 'round whom the evening breezePlays with sad whispered murmurs as they fly.A lonely figure, ghostly in the dimAnd darkening... more...

INTRODUCTION This book is not intended to be representative of Chinese literature as a whole. I have chosen and arranged chronologically various pieces which interested me and which it seemed possible to translate adequately. An account of the history and technique of Chinese poetry will be found in the introduction to my last book. Learned reviewers must not suppose that I have failed to appreciate... more...

II. THE VALUE OF ROWLEY'S POEMS—PHILOLOGICAL AND LITERARY As imitations of fifteenth-century composition it must be confessed the Rowley poems have very little value. Of Chatterton's method of antiquating something has already been said. He made himself an antique lexicon out of the glossary to Speght's Chaucer, and such words as were marked with a capital O, standing for... more...