Philosophy
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Philosophy Books
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John Ruskin
CHAPTER I. OF THE RANK AND RELATIONS OF THE THEORETIC FACULTY. Although the hasty execution and controversial tone of the former portions of this essay have been subjects of frequent regret to the writer, yet the one was in some measure excusable § 1. With what care the subject is to be approached.in a work referred to a temporary end, and the other unavoidable, in one directed against particular...
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PREFACE The following pages are the answer to questions which a young man asked himself when, fresh from the university, he found himself adrift in the great galleries of Europe. As he stood helpless and confused in the presence of the visible expressions of the spirit of man in so many ages and so many lands, one question recurred insistently: Why are these pictures? What is the meaning of all this...
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John Armstrong
INTRODUCTION The essays on taste taken from the work of John Gilbert Cooper and John Armstrong and reprinted in this issue are of interest and value to the student of the eighteenth century because they typify the shifting attitudes toward taste held by most mid-century poets and critics. Cooper, who accepts the Shaftesbury-Hutchesonian thesis of the internal sense, emphasizes the personal, ecstatic...
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Vernon Lee
THE USE OF BEAUTY. I. One afternoon, in Rome, on the way back from the Aventine, the road-mender climbed onto the tram as it trotted slowly along, and fastened to its front, alongside of the place of the driver, a bough of budding bay. Might one not search long for a better symbol of what we may all do by our life? Bleakness, wind, squalid streets, a car full of heterogeneous people, some very dull,...
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George Santayana
I THE INTELLECTUAL TEMPER OF THE AGE The present age is a critical one and interesting to live in. The civilisation characteristic of Christendom has not disappeared, yet another civilisation has begun to take its place. We still understand the value of religious faith; we still appreciate the pompous arts of our forefathers; we are brought up on academic architecture, sculpture, painting, poetry, and...
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