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by: Laozi
PART 1. Ch. 1. 1. The Tao that can be trodden is not the enduring and unchanging Tao. The name that can be named is not the enduring and unchanging name. 2. (Conceived of as) having no name, it is the Originator of heaven and earth; (conceived of as) having a name, it is the Mother of all things. 3. Always without desire we must be found,If its deep mystery we would sound;But if desire always within us... more...

PREFACE The following pages are the answer to questions which a young man asked himself when, fresh from the university, he found himself adrift in the great galleries of Europe. As he stood helpless and confused in the presence of the visible expressions of the spirit of man in so many ages and so many lands, one question recurred insistently: Why are these pictures? What is the meaning of all this... more...

INTRODUCTION The essays on taste taken from the work of John Gilbert Cooper and John Armstrong and reprinted in this issue are of interest and value to the student of the eighteenth century because they typify the shifting attitudes toward taste held by most mid-century poets and critics. Cooper, who accepts the Shaftesbury-Hutchesonian thesis of the internal sense, emphasizes the personal, ecstatic... more...

CHAPTER I: UPS AND DOWNS OF FORTUNE—MY FATHER STARTS FOR EREWHON Before telling the story of my father’s second visit to the remarkable country which he discovered now some thirty years since, I should perhaps say a few words about his career between the publication of his book in 1872, and his death in the early summer of 1891.  I shall thus touch briefly on the causes that occasioned his failure... more...

THE USE OF BEAUTY.   I. One afternoon, in Rome, on the way back from the Aventine, the road-mender climbed onto the tram as it trotted slowly along, and fastened to its front, alongside of the place of the driver, a bough of budding bay. Might one not search long for a better symbol of what we may all do by our life? Bleakness, wind, squalid streets, a car full of heterogeneous people, some very dull,... more...

PARIS TRANSLATION, First published in this Country by Dixon and Sickels.INVOCATION.Hail, solitary ruins! holy sepulchres, and silent walls! you I invoke; to you I address my prayer. While your aspect averts, with secret terror, the vulgar regard, it excites in my heart the charm of delicious sentiments—sublime contemplations. What useful lessons! what affecting and profound reflections you suggest to... more...

INTRODUCTION. The special subject of the greater part of the letters and essays of Schiller contained in this volume is Aesthetics; and before passing to any remarks on his treatment of the subject it will be useful to offer a few observations on the nature of this topic, and on its treatment by the philosophical spirit of different ages. First, then, aesthetics has for its object the vast realm of the... more...

INTRODUCTION   he long obscurity of the Dark Ages lifted over Italy, awakening to a national though a divided consciousness. Already two distinct tendencies were apparent. The practical and rational, on the one hand, was soon to be outwardly reflected in the burgher-life of Florence and the Lombard cities, while at Rome it had even then created the civil organization of the curia. The novella was its... more...

CHAPTER I A. INTRODUCTION The Protestant Reformation marked an era both in life and thought for the modern world. It ushered in a revolution in Europe. It established distinctions and initiated tendencies which are still significant. These distinctions have been significant not for Europe alone. They have had influence also upon those continents which since the Reformation have come under the dominion... more...

PREFACE In the ensuing volume I have attempted to give a defined and permanent form to a variety of thoughts, which have occurred to my mind in the course of thirty-four years, it being so long since I published a volume, entitled, the Enquirer,—thoughts, which, if they have presented themselves to other men, have, at least so far as I am aware, never been given to the public through the medium of... more...