Introduction   These chapters, for the most part, are reprinted from Lafcadio Hearn’s “Interpretations of Literature,” 1915, from his “Life and Literature,” 1916, and from his “Appreciations of Poetry,” 1917. Three chapters appear here for the first time. They are all taken from the student notes of Hearn’s lectures at the University of Tokyo, 1896-1902, sufficiently described in the... more...

PREFACE. ore than twenty years have passed since my revered friend Bunsen called me one day into his library at Carlton House Terrace, and announced to me with beaming eyes that the publication of the Rig-veda was secure. He had spent many days in seeing the Directors of the East-India Company, and explaining to them the importance of this work, and the necessity of having it published in England. At... more...

DICKENS A ‘Frightful Minus’ Mr. Andrew Lang is delightfully severe on those who ‘cannot read Dickens,’ but in truth it is only by accident that he is not himself of that unhappy persuasion.  For Dickens the humourist he has a most uncompromising enthusiasm; for Dickens the artist in drama and romance he has as little sympathy as the most practical.  Of the prose of David Copperfield and Our... more...

Scattered over the surface of every country in Europe may be found sepulchral monuments, the remains of pre-historic times and nations, and of a phase of life will civilisation which has long since passed away. No country in Europe is without its cromlechs and dolmens, huge earthen tumuli, great flagged sepulchres, and enclosures of tall pillar-stones. The men by whom these works were made, so... more...

I think that every man ought to work for his living, without exception, and that when he has once avouched his willingness to work, society should provide him with work and warrant him a living. I do not think any man ought to live by an art. A man's art should be his privilege, when he has proven his fitness to exercise it, and has otherwise earned his daily bread; and its results should be free... more...

Chapter I THE COURAGE OF HUGH WALPOLE i Says his American contemporary, Joseph Hergesheimer, in an appreciation of Hugh Walpole: “Mr. Walpole’s courage in the face of the widest scepticism is nowhere more daring than in The Golden Scarecrow.” Mr. Walpole’s courage, I shall always hold, is nowhere more apparent than in the choice of his birthplace. He was born in the Antipodes. Yes! In that... more...

CHAPTER I BALLAD CHARACTERISTICS'Layés that in harpingBen y-found of ferli thing;Sum beth of wer, and sum of wo,Sum of joye and mirthe also;And sum of treacherie and gile;Of old aventours that fell while;And sum of bourdes and ribaudy;And many ther beth of faëry,—Of all things that men seth;Maist o' love forsoth they beth.'The Lay of the Ash. Who would set forth to explore the realm... more...

ON THE LIFE AND WRITINGS OF MR. DISRAELI. BY HIS SON. The traditionary notion that the life of a man of letters is necessarily deficient in incident, appears to have originated in a misconception of the essential nature of human action. The life of every man is full of incidents, but the incidents are insignificant, because they do not affect his species; and in general the importance of every... more...

Chapter I. The Historical Scope of the Subject. . . . . . . . . . Literature and Science. There are two words in the English language which are now used to express the two great divisions of mental production—Science and Literature; and yet, from their etymology, they have so much in common, that it has been necessary to attach to each a technical meaning, in order that we may employ them without... more...

PREFACE. Although only the grandson of the first of his name, the author of the following interesting specimen of 16th-century criticism came of a family of great antiquity, of so great an antiquity, indeed, as to preclude our tracing it back to its origin. This family was originally known as the “De Botfelds,” but in the 15th century one branch adopted the more humble name of “Thynne,” or... more...